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  1. Marshlands’ by Emily Pauline Johnson paints a romanticized picture of the array of life residing in a marshland as night approaches casts the ecosystem into silence. The poem begins with the speaker stating that the sky ver the land is “thin” and “wet.”

    • Female
    • October 9, 1995
    • Poetry Analyst And Editor
  2. Dec 29, 2022 · Answer: The words, ‘low-lying’ and ‘dank’ depict darkness in the pools of water in the marsh. In contrast, the words ‘glint’ and ‘cups of gold’ portray light in the pools. Question 10: Hushed lie the sedges, and the vapours creep. Can the words ‘appear’ or ‘move’ be used as replacements for ‘creep’ in this line?

  3. This is an analysis of the poem Marshlands that begins with: A thin wet sky, that yellows at the rim, And meets with sun-lost lip the marsh's brim. ...

  4. May 13, 2011 · An analysis of the Marshlands poem by Emily Pauline Johnson including schema, poetic form, metre, stanzas and plenty more comprehensive statistics.

    • 643
    • Couplet
    • Iambic pentameter
    • AA BB CC DD EE FF GG
  5. Marshlands. By Emily Pauline Johnson. A thin wet sky, that yellows at the rim, And meets with sun-lost lip the marsh’s brim. The pools low lying, dank with moss and mould, Glint through their mildews like large cups of gold. Among the wild rice in the still lagoon, In monotone the lizard shrills his tune.

  6. Marshlands. E. Pauline Johnson. 1895. 8th Grade. Font Size. Sunset Moor Venn by Herbert2512 is licensed under CC0. [1] A thin wet sky, that yellows at the rim, And meets with sun-lost lip the marsh’s brim. The pools low lying, dank with moss and mould,

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  8. Sep 27, 2019 · King Alfred in the Somerset Marshes – Part 2. Figure 1: Looking east from the land below Athelney towards Burrow Mump on a misty morning. Whilst the land is reclaimed and cultivated nowadays, it was a patchwork of marshes, reeds and flood water.

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