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Sep 29, 2019 · Al-Andalus: What makes music sound Spanish? Tom Service looks for the essence of Spain in the music of later centuries. Why was so much "Spanish" music written by Russian, French or German ...
Jul 24, 2020 · Some overtures are completely separate pieces of music, independent of the opera. Rossini's 'Il Barbiere di Siviglia' is a good example of this. In operas of the 18th century, composers would often use movements of symphonies as overtures for their operas.
Such, then, is "Carmen" -- a work containing a world of beauties; marked by brilliant orchestration, by a unique use of Spanish rhythms, by finished musicianship displayed on every page of the score.
- Verdi – The Force of Destiny. With a main theme made famous by the “Reassuringly expensive” Stella Artois TV campaign of the 1990s, this operatic opener is indeed “Reassuringly Verdi” with the Italian composer’s customary mix of exquisite melody and thundering full-orchestra outbursts.
- Mozart – The Magic Flute. At the age of 28, Mozart joined the Masonic order, a secretive organisation with a rich set of rituals and symbols that many scholars believe are evident in Mozart’s later works, The Magic Flute being one of them.
- Rossini – William Tell. The overture that broke the mould, Rossini’s William Tell Overture escaped the clutches of the classical world and flew into the mainstream.
- Dame Ethel Smyth – The Wreckers. After five years touring Europe trying to persuade theatre impresarios to stage it, Smyth’s best-known opera The Wreckers finally received its premiere in Leipzig in 1906.
Jul 15, 2023 · What is an overture? An overture’s an introductory musical composition traditionally played at the onset of operas, ballets, or plays. It sets the stage, giving you a taste of the musical journey you’re about to embark on.”
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This paper explores the circumstances in which Mikhail Glinka wrote his two Spanish overtures, discussing how and why Glinka's overtures differ from other Spanish-based pieces by non-Spanish composers of this time.
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overture, musical composition, usually the orchestral introduction to a musical work (often dramatic), but also an independent instrumental work. Early operas opened with a sung prologue or a short instrumental flourish, such as the trumpet “Toccata” that opens Claudio Monteverdi’s Orfeo (1607).
