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  1. In spite of George and Lennie’s excitement, Candy remains disturbed by what he’s done to his dog, foreshadowing that George and Lennie will still have to face unpleasantness and strife even in the face of their new lease on life.

  2. Steinbeck creates and sustains suspense while the men are waiting for the dog to be shot by using the word "silence" five times to communicate the tension in the bunkhouse, drawing the scene out...

  3. The shooting of Candy's dog shows the callousness of Carlson and the reality of old age and infirmity. Carlson offers to shoot the old dog, complaining many times of the smell. He brutally keeps after Candy, and Candy's reaction can be seen in the adverbs Steinbeck uses to describe how Candy looks: "uneasily," "hopefully," "hopelessly."

  4. For Candy, his dog ultimately represents his fear of being singled out for his own weakness—and, more broadly, the unforgiving atmosphere at the ranch (and across the American West during the Depression more generally), which favors the strong and despises the weak.

  5. When Lennie pleads with George, saying, “I didn’t mean no harm . . . I jus’ wanted to pet ’um a little,” Lennie’s puppy symbolizes Lennie’s innocence, his vulnerability, and how he doesn’t intend to hurt the puppy but can’t seem to understand how his actions could be dangerous.

  6. Sep 20, 2016 · After the bizarre lever-touching lift episode, we are whisked into a boudoir where McKee sits with his “great portfolio” in his hands. Does he need to be in bed, half naked, to show tipsy Nick his pride and joy? What has gone on?

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  8. Maybe I'm just asking for a different story than the one we currently have. Even if I'm slogging, I'm still planning on finishing the last three(?) or so arcs. So, how do the rest of you feel about the shift in story?

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