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Apr 21, 2017 · In Letters 26 and 27, Schiller imagines the circumstances that must have been necessary for early humans to develop an aesthetic sense.
- 19th Century Romantic Aesthetics
Early and late, German, British and French, the romantics...
- Beauty
It does not respond to my idiosyncrasies, or at any rate if...
- 19th Century Romantic Aesthetics
Thus, Schiller identifies the paradoxical nature of human existence. Man cannot return to a lost Paradise, where, like the animals, he merely obeys instinct; but rather, man must struggle to create a paradise, based upon the image of God within him, his capacity for creative reason and love.
But attention cannot be called too early to this illuminated, and yet so neglected side of world history, that through which it attaches itself to the highest object of all human endeavors.
Schiller was the great republican poet of freedom, who could adorn the ideal of a nobler, more beautiful mankind in such powerful language, that he truly found “an infallible key to the most secret recesses of the human soul.”
Feb 12, 2019 · In the next section, I will show that basic features of Schiller’s overall philosophical view on history reach back as early as his academic writings from the Karlsschule. Moreover, we find fundamental aspects of Schiller’s philosophy of history equally in his medical, poetic, and theoretical work.
- Andree Hahmann
- ahahmann@mail.tsinghua.edu.cn
Examining Schiller’s Kantianism and the concepts of religious humanism, autonomy, providence, immanence and transcendence, we arrive at the general conclusion that he was among the first humanists in the German tradition to remove the religious dimension of ethics.
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Apr 1, 2014 · One could hardly exaggerate the influence of Schiller’s claim that early Greek depictions of the natural world contain “no more special involvement of the heart than the depiction of a dress, a shield, a weapon, a household tool, or some sort of mechanical object.” 3 One can hear it in Matthew Arnold’s formulation of classical poetics ...