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O'Hara has stolen the show and quite likely what you're experiencing already is yearning. In one sense, of course, you don't have to follow it. ‘Personism’ is a mock-manifesto. It presents a movement, as O'Hara says, he founded one day after lunch. You can take ‘Personism’ or leave it. ‘There's nothing metaphysical about it.’
While technically Bluhm's hand does not illustrate O'Hara's text – it came first, meaning that one would probably have to call the poem a caption – regardless, Hand consists of an iconic representation of a body-part paired with a text addressing the same referent. Visual and verbal registers of communication are working together in an instantly recognizable fashion.
Jun 23, 2022 · In O’Hara’s poetry then, we often find a Romantic sense of ‘ecstatic contact’ that transcends the binary of human and non-human. 36 In ‘Poem en forme de Saw’, O’Hara sees himself as ‘alone as a tree bumping another tree in a storm’ (CP, p. 429), reminding himself that feeling alone is not the same as being alone. Beside one’s self are other selves, human and non-human, who ...
Jan 1, 2005 · O'Hara's best-known and most tongue-in-cheek manifesto "Personism" came not in the New American pile-up but in the magazine Yugen, in September 1959. The magazine, like the manifesto, owes part of its existence to LeRoi Jones (Amiri Baraka), a debt O'Hara acknowledged readily in the essay: Personism "was founded by me after lunch with LeRoi Jones."
Summary of Frank O’Hara. O'Hara was the "poet laureate" of the Abstract Expressionist movement. He was a leading figure within the new generation of New York poets, but his talent and influence extended beyond free verse into art criticism and curatorship. O'Hara was at the forefront of the rise of the American avant-garde, helping elevate ...
- American
- March 27, 1926
- Baltimore, Maryland
- July 25, 1966
As O'Hara extends this notion of "scale, and no-scale," he touches a reader's sense of the poet walking the city in "The Day Lady Died": what impresses itself as the shape and substance of the ...
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O'Hara's poem of 1953 is the leading example of an attempt to install the European model in contemporary writing, but as Koch writes in his review of The Collected Poems in the New Republic: "For all their use of chance and unconsciousness, Frank O'Hara's poems are unlike Surrealist poetry in that they do not programmatically favor these forces (along with dreams and violence) over the ...
