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  1. Othello Translation Act 3, Scene 3. DESDEMONA, CASSIO, and EMILIA enter. Be thou assured, good Cassio, I will doAll my abilities in thy behalf. Rest assured, good Cassio, I will do all I can for you. Good madam, do. I warrant it grieves my husbandAs if the cause were his. Please do, good madam.

    • Act 4, Scene 1

      IAGO. Stand you awhile apart, Confine yourself but in a...

  2. This quote shows Iago’s skill at psychological manipulation: he subtly plants a seed of doubt in Othello’s mind, using the couple’s own love as a weapon to increase the distrust between them. Strangle her in bed, even the bed she hath contaminated. (4.1.) Here Iago orchestrates even the way in which Desdemona will be killed.

  3. Follow thou the wars,defeat thy favor with an usurped beard. I say, put money in thy purse. It cannot be long that Desdemona should continue her love to the Moor—put money in thy purse—nor he his to her. It was a violent commencement in her, and thou shalt see an answerable sequestration—put but money in thy purse.

  4. Othello Translation Act 5, Scene 2. DESDEMONA asleep in bed Enter OTHELLO with a light. DESDEMONA is asleep in bed. OTHELLO enters with a lit candle. It is the cause, it is the cause, my soul. Let me not name it to you, you chaste stars, It is the cause.

  5. Quick answer: The significance of Iago's final line in Othello, "Demand me nothing; what you know, you know. From this time forth I never will speak word" (5.2.347-348), lies in his resolute ...

  6. Jul 28, 2019 · The villain Iago from "Othello" is a central character, and understanding him is key to understanding Shakespeare's entire play. His is the longest part with 1,070 lines. Iago’s character is consumed with hatred and envy. He is jealous of Cassio for obtaining the position of Lieutenant over him, jealous of Othello–believing that he has ...

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  8. Iago’s speech style. Language is the source of Iago’s power, but his characteristic idiom is different from Othello’s. It is full of colloquialisms and oaths, befitting a cynical soldier. But Iago’s use of language is more complicated than this. The villain slips between prose and verse, adapting his style to suit his different ...

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