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1. • An exact copy of the original

     • A facsimile, as defined by Laurie Sampsel in Music Research: A Handbook, 3th ed. (p. 278) is “an exact copy of the original” or “Facsimile edition: reproduction of an older work that is designed to be an exact copy of the original.” A facsimile is an exact copy of an original manuscript or a very early edition.
     libguides.umn.edu/types-of-scores-and-how-to-find-them/facsimiles

     Facsimiles - Types of scores and how to find them - Research ...

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   What is a facsimile in music research?

   • Facsimiles: What are these? A facsimile, as defined by Laurie Sampsel in Music Research: A Handbook, 3th ed. (p. 278) is “an exact copy of the original” or “Facsimile edition: reproduction of an older work that is designed to be an exact copy of the original.” A facsimile is an exact copy of an original manuscript or a very early edition.

   Types of scores and how to find them

   libguides.umn.edu/types-of-scores-and-how-to-find-them/facsimiles

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   What is a facsimile edition?

   • A facsimile is an exact copy of an original manuscript or a very early edition. If a facsimile edition exists for the piece you’re interested in - which is not always the case - it’s helpful to look at it because you can see exactly what the composer wrote on the page.

   Types of scores and how to find them

   libguides.umn.edu/types-of-scores-and-how-to-find-them/facsimiles

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   What is a facsimile of a manuscript?

   • A facsimile is a photographic representation of the composer's manuscript, or an early copy, or a first published edition. Facsimiles can be fun to look at and study, especially since many manuscripts are kept in vaults and archives that can be expensive or difficult to visit.

   Scores - Score types: critical editions, urtext, facsimiles - Library Researc…

   guides.libraries.indiana.edu/scores

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   How do I find a facsimile of a piece?

   • Look for the subject "Music -- Manuscripts -- Facsimiles" and the name of a piece, a library, or a place as a keyword (British Library, Munich, etc.) in catalog records as you explore the Music Library's score holdings. Searching for facsimiles of published materials (first editions, etc.)?

   Types of scores and how to find them

   libguides.umn.edu/types-of-scores-and-how-to-find-them/facsimiles

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   Are facsimiles difficult to read?

   • Facsimiles can be fun to look at and study, especially since many manuscripts are kept in vaults and archives that can be expensive or difficult to visit. But, it can be very challenging to read these types of editions, which were often hastily written or copied by hand, or engraved so long ago that the score's condition is fragile.

   Scores - Score types: critical editions, urtext, facsimiles - Library Researc…

   guides.libraries.indiana.edu/scores

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   What are the disadvantages of using facsimiles in a research paper?

   • A drawback of using facsimiles: It can be hard to read handwritten documents, so these may not be the best editions to cite in a research paper (unless the topic of the paper is the composer’s manuscript!). What do facsimiles look like? Liszt, Franz.

   Types of scores and how to find them

   libguides.umn.edu/types-of-scores-and-how-to-find-them/facsimiles

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3. guides.libraries.indiana.edu › scoresScores - Score types: critical editions, urtext, facsimiles ...

   guides.libraries.indiana.edu › scores

   Aug 11, 2021 · A facsimile is a photographic representation of the composer's manuscript, or an early copy, or a first published edition. Facsimiles can be fun to look at and study, especially since many manuscripts are kept in vaults and archives that can be expensive or difficult to visit.

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5. www.musiciansway.com › blog › 2009The 4 Types of Music Editions - Musician's Way

   www.musiciansway.com › blog › 2009

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   • Facsimile. A facsimile edition typically presents a photographic reproduction of a composer’s or copyist’s manuscript or of a historical published version of a piece.
   • Urtext. In an urtext edition (i.e., “original text”), a publisher engraves a primary source of the music, such as a facsimile, into modern notation.
   • Performance. A performance edition presents a composition in a manner that an editor believes will facilitate a performer’s learning process, add expressive features to a piece, simplify notation and page turns, clarify technical execution, or make the music available at lower cost.
   • Critical. Also known as scholarly editions, these sorts of publications analyze aspects of a composition or compare versions. They aren’t meant for use in performance.

6. researchguides.library.syr.edu › cMusic Scores and Sheet Music - Syracuse University

   researchguides.library.syr.edu › c

   Aug 26, 2024 · Facsimiles are photographs or scans of a primary source, and these can be reproduced and published as a physical score, a set of microfilm, or as an image in an online archive. Autograph or Holograph -- The composer's own manuscript, written by them.

   • Author: Rachel Fox Von Swearingen

   • Publish Year: 2020

7. www.jstor.org › stable › 44863099Making, Collecting and Reading Music Facsimiles before ...

   www.jstor.org › stable › 44863099

   of Music and Musicians currently defines 'facsimile' as 'a genre of book publishing based on photo-mechanical printing techniques that attempts to recreate the appearance of an original handwritten manuscript or printed edition, explaining that facsimiles

8. www.adducation.info › music-terminologyMusic Terminology - Adducation

   www.adducation.info › music-terminology

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   Sep 25, 2024 · Cheatsheet of common and more obscure music terminology terms and definitions. Understanding music terms makes it easier to collaborate with other musicians – it really does help if you’re all singing and playing from the same hymn sheet!

9. www.drewfennell.com › Resources › Glossary_of_Musical_TermsGlossary of Musical Terms - Drew Fennell

   www.drewfennell.com › Resources › Glossary_of_Musical_Terms

   A vast majority of this glossary relates most directly to trumpet and brass literature. These are words and phrases which I have found in solo and orchestral literature, as well as in etude books and other music texts.