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Released: July 1987. Rapture is the second album by American vocalist Anita Baker, released in 1986. This became Baker's breakout album and earning her two Grammy Awards. The album's first track, "Sweet Love", was a top 10 Billboard hit in addition to winning a Grammy Award. The album has sold over eight million copies worldwide, including five ...
- “I Forgot You Existed”
- “Cruel Summer”
- “Lover”
- “The Man”
- “The Archer”
- “I Think He Knows”
- “Miss Americana and The Heartbreak Prince”
- “Paper Rings”
- “Cornelia Street”
- “Death by A Thousand Cuts”
Bright, light and bubbly, “I Forgot You Existed” sounds like Swift’s final rejoinder to the darkness of the Reputationera. “I Forgot That You Existed” is an album opener with a purpose: to show she’s moved on, which she says in no uncertain terms. “I forgot that you existed and I thought that it would kill me, but it didn’t / And it was so nice, so...
Driving and synth-forward with co-production from Jack Antonoff and St. Vincent’s Annie Clark, “Cruel Summer” paints the picture of an emotional rollercoaster of a summer — new love and its uncertainties mashed up against the challenges facing pop stars in the public spotlight. “And I cried like a baby coming home from the bar, said, ‘I’m fine,’ bu...
As the album’s title track, “Lover” shows off Swift at the intersection of sing-song acoustic pop and folksy storytelling. In turns intimate and chipper — and topped off with a faux wedding vow as the bridge — Swift harkens back to the sweetness of “New Year’s Day,” amped up with newfound bliss and confidence. “Swear to be overdramatic and true to ...
Here’s an anthem for anyone who’s felt blocked by sexist double standards. Swift knows a thing or two about being treated differently in the music industry. As a woman in the public eye, she’s repeatedly stood up for herself against mistreatment by men, whether in the courtroomor through her music. In “The Man,” written with her frequent collaborat...
Released as a promotional single, “The Archer” shows a more introspective side of Swift over a skittering synth line. Coproduced with Jack Antonoff, it has some of the more 80s sensibility that their previous work together (like “Getaway Car” and “Dress”) has also showed off. “I cut off my nose just to spite my face,” she sighs intimately. “I hate ...
Over a snapping rhythm, Swift gets playful on “I Think He Knows.” “He got that boyish look that I like in a man,” she talk-sings with rapid precision: “He’s so obsessed with me, and boy, I understand.” There’s a refreshing self-awareness and sense of humor to this first-crush love song, which is laced with references to Nashville and descriptions o...
Since breaking out in her teens as a rising country star, Swift has been consistently associated with the hallmarks of the American high school experience: homecomings and football teams, proms and cliques. But in “Miss Americana and the Heartbreak Prince,” she seems very ready to graduate from that scene. It’s one of her most layered songs on the ...
Then she kicks things up on “Paper Rings,” which is a toe-tapper from the get-go, filled with tambourine jingles and old-school background shouts. With the “uh-huhs” and the “that’s right’s” and the turned-up finishes to her line delivery, this is Swift’s let-down-your-hair song on Lover — a happy-go-lucky bit of rollicking fun. “Darling, you’re th...
Swift cut her teeth on storytelling, and that background shines on “Cornelia Street,” which alludes to a Manhattan neighborhood and the beginning of a love story. Her refrain — “I hope I never lose you, hope it never ends / I’d never walk Cornelia Street again” — packs a punch of relatability; some places just become too drenched in difficult memor...
“Death By a Thousand Cuts” is ostensibly a sad song, but it’s one of her prettier and more fast-paced Loversongs anyway, a sweet melody interspersed with a tinkling piano section that adds gravity to her melancholy lyrics. “You said it was a great love, one for the ages / But if the story’s over, why am I still writing pages?” she wonders at one po...
Apr 19, 2024 · After the album was released, Swift wrote on social media: "An anthology of new works that reflect events, opinions and sentiments from a fleeting and fatalistic moment in time - one that was both ...
Oct 28, 2022 · Within months, both Fearless (Taylor’s Version) and Red (Taylor’s Version) hit shelves, revisiting the superstar’s old sound with the wisdom and care learned from her folklore and evermore ...
- Michele Johnson
- I Forgot That You Existed. The first song on our list of the Real Meaning Behind The Songs On Taylor Swift’s Lover Album is “I Forgot That You Existed.”
- Cruel Summer. The next song on our list of the Real Meaning Behind The Songs On Taylor Swift’s Lover Album is “Cruel Summer.” The song has a synth pop sound.
- Lover. The song has a country and folk beat. This is the third single from the album. This is a genuine love song. The song is considered a wedding song.
- The Man. The track has a synth-pop beat. This is the fourth single from the album. The song is about sexism. She believed that if she did the things she did as a man, no one would say anything.
Oct 24, 2022 · The "Sweet Nothing" track is the closest thing on Taylor Swift's "Midnights" album to a love song. Co-written by Swift and her partner Joe Alwyn (like other songs he has written with Swift in the past, it was penned under his pseudonym, William Bowery), the song is a gentle, delicate glimpse into their relationship.
Oct 21, 2022 · Outside they're push and shoving. You’re in the kitchen hummin’. All that you ever wanted from me was sweet nothing. They said the end is coming. (They said the end is coming) Everyone's up to ...
