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    • Paul Revere
    • Henry Pelham's Engraving
    • Differences Between Revere's and Pelham's Engravings
    • Jonathan Mulliken
    • Based on Henry Pelham
    • Two Nineteenth Century Depictions of The Event

    Paul Revere's engraving is commonly believed to have been based on an engraving by Henry Pelham, a Boston painter and engraver. Although Pelham created his image, The Fruits of Arbitrary Power first, somehow Revere, working from Pelham's rendition of the scene, created, advertised, and issued his own version, The Bloody Massacre, ahead of Pelham's....

    Henry Pelham's depiction of the Boston Massacre, The Fruits of Arbitrary Power, Or the Bloody Massacre, was published in the spring of 1770. Pelham--despite having created what was probably the first illustration of the event on 5 March 1770--lost out on the fame and fortune of having done so when Paul Revere got his print to market first. Pelham's...

    Although at first glance the engravings of Revere and Pelham appear to be quite similar, on closer inspection there are a number of differences that allow us to distinguish them. In Pelham's print, the moon in the top left-hand corner faces to the right, whereas it faces to the left in Revere's version. Pelham's version shows eight columns in the c...

    Jonathan Mulliken, a clock-maker from Newburyport, Mass., created his own rendering of the scene, after Revere's print. Although it also appeared in 1770, Mulliken's version had enough variations, such as only six columns in the cupola, that it was clearly struck from a different plate. The Bloody Massacre Perpetrated in King Street Boston on March...

    An English reprint of Henry Pelham's engraving appeared on a broadside published by W. Bingley in London in 1770. The title and image are both similar to Pelham's engraving, and the text is drawn from both Pelham's and Revere's engravings. MHS's copy of the Bingley reprint was originally folded and bound within the pamphlet, A Short Narrative of th...

    The importance of the Boston Massacre did not fade over time, and images of that night in March of 1770 continued to be created, published, and distributed decades later. One example, an engraving by Alonzo Hartwell that was published in 1838, was based on Revere's engraving. Another example, a lithograph published in 1856, presents a different int...

  1. Jun 30, 2024 · The Boston Massacre was exploited by colonial leaders such as Samuel Adams and Paul Revere as a potent symbol of British tyranny. Images depicting the event were circulated widely, further stoking anti-British sentiment and strengthening the resolve for independence.

  2. Jun 11, 2023 · These were the "redcoats," so-called for their distinctive uniforms, symbols of British authority, and the enforcement of the contentious Townshend Acts. Imagine, if you will, the sight of a thousand soldiers disembarking from their ships, marching in formation through the narrow streets of Boston, a city of barely 16,000 souls.

  3. Aug 16, 2021 · Revere’s most effective piece of anti-British propaganda was “The Bloody Massacre,” a full-color rendering of the 1770 melee that came to be known as the Boston Massacre.

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  5. On March 5, 1770, a group of British soldiers open fired on a group of Boston citizens, killing five. This event, the Boston Massacre, was one in a series of crises that led many American colonists to choose independence from Great Britain five years later.

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