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This is a list of artists who have been described as general purveyors of baroque pop, a genre identifiable for its appropriation of Baroque compositional styles (contrapuntal melodies and functional harmony patterns) and dramatic or melancholic gestures. [1]
- Caravaggio, The Calling of Saint Matthew, 1599–1600
- Annibale Carracci, Domine, Quo Vadis?, 1602
- Annibale Carracci, The Lamentation of Christ, C. 1604
- Caravaggio, David with The Head of Goliath, 1609–1610
- Artemesia Gentileschi, Judith Slaying Holofernes, C. 1612–1613
- Peter Paul Rubens, Rape of The Daughters of Leucippus, 1618
- Francisco de Zurbarán, The Martyrdom of Saint Serapion, 1628
- Peter Paul Rubens, Judgment of Paris, C. 1636
- Georges de La Tour, The Penitent Magdalene, C. 1640
- Rembrandt, The Night Watch, 1642
The Calling of St. Matthew, which can still be found in Contarelli Chapel in Rome, remains one of Caravaggio‘s most famous paintings. The informal, natural gathering of figures was a huge shift against the idealism of Mannerism. Dressed in contemporary clothing, the characters appear lifted from a genre scene rather than a traditional religious pai...
Although his art became overshadowed by Caravaggio's overtime, Annibale Carracci was regarded as one of the leading Baroque painters in the 17th-century. His style resembled some of the idealism of the Renaissance and Mannerist styles, but he created Baroque-like drama through monumental figures and dynamic compositions. Domine, quo vadis?exemplifi...
The Lamentation of Christ is another example of Carracci's masterful painting compositions. Here, he depicts the lamentation of the dead body of Christ by the Virgin Mary, Mary Magdalene, and two other women who may be Mary Cleophas and Mary Salome. Three of the figures are layered on top of one another, while the other two that are crouched on the...
David with the Head of Goliath is a psychological masterpiece painted during a period when Caravaggio was exiled from Rome after murdering a man during a tennis match. Caravaggio uses his characteristic tenebrism to craft an oil painting showing a young David looking pensively at the severed head of Goliath. Get the Print: 1. $72.99 at Wayfair
In an art world dominated by men, Artemisia Gentileschi carved a place for herself as a dominant female painter. Paintings characterize her oeuvre with an emphasis on female subjects, the most famous of which is her masterpiece, Judith Slaying Holofernes.This large tenebrous canvas portrays an Old Testament story in which a widow and her maid overp...
Peter Paul Rubens was a key figure in the Baroque Period. Unlike Caravaggio and Artemisia, he did not rely on light and shadow to create drama but instead employed a vibrant color palette and dynamic movement. Rape of the Daughters of Leucippustypifies his iconic style with voluptuous figures twisting their bodies, evoking a sense of chaos and viol...
Francisco de Zurbarán was a leading Baroque painter known as the “Spanish Caravaggio.” The Martyrdom of Saint Serapionis emblematic of his style, featuring a male figure dressed in white set against a black background. The strong use of chiaroscuro and simple yet powerful composition is similar to Caravaggio's work, which was likely a major influen...
Ruben's Judgment of Parisdepicts the mythological story where Paris must choose who is the most beautiful among the goddesses, Hera, Athena, and Aphrodite. This subject was popular among artists as a way to explore the feminine ideal. In this case, Rubens portrays the unfolding narrative with his sensual style, leading the viewer's eyes across the ...
French painter Georges de La Tour is best remembered for his poignant works lit by candlelight. The Penitent Magdalene represents the artist's style with a simplified rendition of the religious figure Magdalene clasping her hands over a skull—which is functioning as a memento mori—and looking in the direction of the shadowed wall. The diminutive so...
Rembrandt van Rijn was one of the most prolific artists of the Dutch Golden Age. Among his impressive oeuvre, there is one piece that stands out from the rest: a fascinating group portrait painting called The Night Watch. Completed in 1652, this massive work is one of the hallmarks of the Dutch Golden Age. Not only does it display Rembrandt's maste...
- The Calling of St. Matthew by Caravaggio. Caravaggio’s work, The Calling of St. Matthew is considered one of the most important Baroque paintings of all time, as it marks a new approach to religious painting in the 17th century.
- The Raising of Lazarus by Rembrandt. The Raising of Lazarus by Rembrandt is another example of an iconic Baroque painting, painted in 1630. It portrays the moment Jesus brings Lazarus back to life and highlights both the light and dark elements of the scene.
- Triumph of Bacchus and Ariadne by Annibale Carracci. This fresco by Carracci depicts the myth of Bacchus, a Greco-Roman God, and Ariadne on the isle of Naxos.
- The Assumption of the Virgin by Guido Reni. Guido Reni’s The Assumption of the Virgin was painted in 1626-1628 and is an important example of Baroque painting.
Via Musei Vaticani Baroque Art (17th-18th Centuries): Baroque art emerged in the 17th century and was characterized by grandeur, dramatic lighting, and ornate details. Artists such as Caravaggio and Gian Lorenzo Bernini created dynamic compositions that conveyed a sense of movement, emotional intensity, and theatricality.
Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music.
Jan 6, 2024 · 1. Michelangelo Merisi de Caravaggio (Italy): The Infamous Baroque Artist. The Beheading of John the Baptist by Caravaggio, 1608, via St. John’s Cathedral, Malta. The infamous, the great, and the terrible — Caravaggio was the key figure of Baroque art.
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Sep 26, 2021 · The papyrus scroll, medals and weaponry, fruit or flower baskets, and other elements constructed of moldings, stucco, or carvings were introduced by the Baroque period. Today, we’ll learn about some of the most famous Baroque paintings that have had a lasting impression on the history of art.