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      • In later years, critics' opinions of the film were unanimously positive, calling it "almost certainly the best film about the social and political forces that have shaped Sicily" (Derek Malcolm, The Guardian), "a landmark in political cinema" (Trevor Johnston, Time Out Film Guide), and an "exciting piece of filmmaking" (Terrence Rafferty, The New York Times) by a "bravura director" and "inspired innovator" (Michael Sragow, The New Yorker).
      en.wikipedia.org/wiki/Salvatore_Giuliano_(film)
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  2. Sep 26, 2014 · Italian and international press descend upon a courtyard where the bullet-riddled corpse of Sicilian bandit Salvatore Giuliano has been discovered. Some say he was an outlaw; others say a...

    • Salvo Randone, Frank Wolff
    • Francesco Rosi
  3. Jan 8, 2020 · It was at this time the young and exceptionally handsome Salvatore Giuliano shot dead a policeman when he was nearly caught for running contraband materials. He ran into the mountains and became the most ambitious and dreaded outlaw until his death seven years later (in July 1950).

  4. Sep 12, 2014 · Among the most striking black-and-white movies ever made, this documentary-influenced Scorsese favourite is pulsating yet reflective, its outrage at injustice sharpened by the knowledge that...

  5. An outstanding film has been fashioned by Francesco Rosi using the story of Sicilian bandit Giuliano as a pretext for a historical, political, and social document of its times.

  6. Jan 11, 2022 · Francesco Rosi’s 1962 opus Salvatore Giuliano transcended those definitions of neorealism by establishing a dialectical approach which oscillated between drama and documentary in its journalistic efforts.

  7. Sep 24, 2014 · Salvatore Giuliano was Rosi's breakthrough film, and he and his team innovated a new style of filmmaking to trace the collision and collusion of Sicilian separatists, the Mafia, the cops, and the bandit antihero, Giuliano.

  8. Feb 17, 2019 · Criterion Sunday 228: Salvatore Giuliano (1962) Published on 17 February 2019. There’s a lot of gorgeous style to this film, all high-contrast black-and-white starkness, an almost documentary-like sense of its Sicilian landscapes, not to mention the evocative faces of its protagonists.

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