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  1. en.wikipedia.org › wiki › La_SylphideLa Sylphide - Wikipedia

    La Sylphide (English: The Sylph; Danish: Sylfiden) is a romantic ballet in two acts. There were two versions of the ballet; the original choreographed by Filippo Taglioni in 1832, and a second version choreographed by August Bournonville in 1836.

  2. Jul 6, 2024 · The French Romantics seized this counter-Enlightenment impulse and made it their own. La Sylphide struck a chord in the hearts of many, precisely during a time when it was most needed. The public went crazy over La Sylphide .

  3. Oct 29, 2023 · French ballet master and choreographer Marius Petipa decided to restage the original 1832 Taglioni production of La Sylphide at the Imperial Theatre in St. Petersburg in 1892. The ballet (and the opera) played a significant role in Russian society in the late nineteenth century.

  4. Bournonvilles La Sylphide premiered in Copenhagen in 1836 with his protégé Lucile Grahn in the title role and Bournonville himself as James. While Filippo Taglioni’s version fell out of the spotlight a few years after it premeired, Bournonville’s La Sylphide has been a part of the Royal Danish Ballet’s repertory ever since.

  5. May 21, 2019 · ★ What is the story of La Sylphide? The original choreography for the ballet La Sylphide was created by Filippo Taglioni. ACT I: A Scottish Manor. The young Scotsman James is asleep by the fireside on the morning of his wedding today when he is awakened by the kiss of a vanishing sylph.

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  6. Sep 30, 2017 · The only reason Bournonville came up with his own take on La Sylphide was because the Paris Opera demanded too much money for the score by Jean-Madelina Schneitzhoeffer. But that opened the door for the 19 year old Norwegian composer Herman Severin Løvenskiold to have a crack, and it’s now the work he’s best known for.

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  8. One of the world’s oldest existing romantic ballets, La Sylphide originally premiered on March 12, 1832 in Paris, with now lost choreography by Filippo Taglioni. A success, the ballet was re-choreographed in 1836 by the Danish ballet master August Bournonville.