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Jul 6, 2024 · The French Romantics seized this counter-Enlightenment impulse and made it their own. La Sylphide struck a chord in the hearts of many, precisely during a time when it was most needed. The public went crazy over La Sylphide .
La Sylphide was the first ballet where dancing en pointe had an aesthetic rationale and was not merely an acrobatic stunt, often involving ungraceful arm movements and exertions, as had been the approach of dancers in the late 1820s.
Oct 29, 2023 · French ballet master and choreographer Marius Petipa decided to restage the original 1832 Taglioni production of La Sylphide at the Imperial Theatre in St. Petersburg in 1892. The ballet (and the opera) played a significant role in Russian society in the late nineteenth century.
Jun 16, 2009 · “La Sylphide,” with its ethereal heroine dancing on point and its human hero forever trying to grasp her, changed ballet at its Parisian premiere in 1832.
Sep 30, 2017 · Bournonville himself originally wanted to do a revival of Taglioni’s 1832 version of the ballet. The only reason Bournonville came up with his own take on La Sylphide was because the Paris Opera demanded too much money for the score by Jean-Madelina Schneitzhoeffer. But that opened the door for the 19 year old Norwegian composer Herman ...
Helgi Tomasson brought Bournonville’s La Sylphide to SF Ballet in 1987, shortly after his arrival as artistic director. Three years later, Tomasson, who trained as a dancer in Denmark, created his own production for the company.
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The first major Romantic ballet, La Sylphide (1832), according to dance historian Ivor Guest, “sealed the triumph of Romanticism in the field of ballet;” it was, he wrote, “as momentous a landmark in the chronicles of Romantic art as ‘The Raft of the “Medusa”’ and Hernani.” 1 The ballet spawned a range of imitations and ...
