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In 1914 Wang Zhen promoted a solo show of Wu’s work in a Japanese restaurant patronized by Chinese intellectuals as well as by the Japanese community, then the largest group of foreigners in Shanghai. [1]
A successful Shanghai businessman as well as a devout Buddhist, Wang Zhen is best known for his paintings of Buddhist figures in the calligraphic brush manner of his mentor, Wu Changshi (1844–1927).
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Buddhist Sage was painted by Wang Zhen (also known as Wang Yiting). In China, the year of his birth was the “Sixth Year of the Tongzhi Period of the Great Qing” (1867 in the Western calendar); he died in the “Twenty-seventh year of the Chinese Republic” (1938).
Awakening to Reality (Wuzhen pian) is one of the most important and best-known Taoist alchemical texts. Written in the eleventh century, it describes in a poetical form, and in a typically cryptic and allusive language, several facets of Neidan, or internal alchemy.
Nov 4, 2019 · The “happy fish” passage concluding the “Autumn Floods” chapter of the Classical Chinese text known as the Zhuangzi has traditionally been seen to advance a form of relativism which precludes objectivity. My aim in this paper is to question this view with close reference to the passage itself.
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