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The Best One-Shot Music Videos of the 90s. Soak up some incredible music videos that were all shot in a single take including clips from Massive Attack, Erykah Badu, Radiohead and more! Posted By Pile Rats.
Join http://www.WatchMojo.com as we count down our picks for the top 10 One Shot Music Videos!... It’s amazing what you can do with just one roll of the camera!
- 14 min
- 1.1M
- WatchMojo.com
Jun 6, 2017 · From OK Go throwing some shapes on a treadmill to Pharrell’s epic 24-hour promo, here are 13 amazing one-shot music videos that’ll leave you open-mouthed… 1. OK Go – 'Here It Goes Again'
This is a list of one-shot music videos filmed in one long take by a single camera. Music videos which are edited to give the impression they were filmed in a single take but in fact are not, are listed in the section in this article Videos seemingly shot in one take.
- OK Go // “The Writing's on The Wall”
- Gin Blossoms // “Allison Road”
- Feist // “1234”
- Lorde // “Tennis Court”
- Cibo Matto // “Sugar Water”
- Weezer // “Undone"
- Spoon // "The Underdog"
- Radiohead // “No Surprises”
- Taylor Swift // “We Are Never Ever Getting Back Together”
- Michael Penn // “Try”
OK Go is known for their elaborate, unbroken single shot music videos, including "White Knuckles," "A Million Ways to Die," and "Here It Goes Again." Their latest, "The Writing's On the Wall," features 20 optical illusions captured in one shot. The music video took two months to plan and about 65 takes to execute; the band and directors Aaron Duffy...
In 1994, the Gin Blossoms released their sixth single "Allison Road" from their sophomore effort New Miserable Experience. The music video featured a single steadicam shot moving from room to room capturing a collection of television sets playing the Gin Blossoms performing the pop rock song.
In early 2007, the single "1234" launched Canadian singer-songwriter Feist into mainstream popularity in the U.S. Patrick Daughters directed the music video, which featured an impressive and colorful choreographed dance routine captured in one continuous tracking shot. "1234" was nominated for a Grammy Award for Best Female Pop Vocal Performance an...
Lorde's single-take music video for "Tennis Court," directed by Joel Kefali (who also directed the video for "Royals"), featured the New Zealand pop star staring into the camera, lip-syncing only the "Yeah" bits at the end of each verse and during the chorus.
Michel Gondry directed the music video for Cibo Matto's 1996 single "Sugar Water." It featured one long continuous shot displayed in split screen with parallel action. Although the scene was exactly the same, the left side of the screen started at the beginning and was moving forward, while the right side started from the end in reverse.
In 1994, Spike Jonze directed Weezer's first music video. "Undone (The Sweater Song)" featured the band playing in front of a blue backdrop with a pack of dogs racing in and out of the camera's frame. While Jonze captured the performance in one unbroken slow motion steadicam shot, the director had Weezer perform to a sped up version of the song to ...
In 2007, Keven McAlester directed the music video for "The Underdog," Spoon's first single from Ga Ga Ga Ga Ga. The unbroken steadicam shot featured the indie rock band playing the song with an El Mariachi horns section and a number of percussionists in various rooms of an Austin, Texas recording studio.
The music video, directed by Grant Gee, features Thom Yorke's head inside of a dome helmet with the song's lyrics reflected (in reverse) on its plastic shield. At the start of the song's second verse, the helmet begins to slowly fill with water, submerging a clearly uncomfortable Yorke for nearly a minute.
Taylor Swift's music video for "We Are Never Ever Getting Back Together" is an elaborate production featuring multiple sets and costume changes, all captured in one single shot. It follows Swift going through a nasty break up and experiencing flashbacks of the destructive relationship, as her band, dressed as furry woodland creatures, joyfully perf...
Paul Thomas Anderson shot the music video for Michael Penn's "Try" during post-production of the director's film Boogie Nights in 1997. It was shot in the longest hallway in Los Angeles and features Penn performing the single while walking through the hallway. It also features three actors—Thomas Jane, Melora Walters, and Philip Seymour Hoffman—who...
Director Michel Gondry single-handedly raised the one-shot to new heights, but his ingenuity has been matched by a few artists and directors brave enough to try the most difficult trick in...
- 4 min
- 13.3K
- The A.V. Club
Jun 19, 2019 · Not only does single take shooting take a tremendous amount of creativity, but it also takes a load of technical skill (and quite a bit of luck). Often, when watching a long, single take shot, you don’t even notice it at first, but when you catch on, it becomes something almost magical to watch.
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