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Jan 4, 2018 · In the early 1990s, photographer Sally Mann transformed one of the most banal elements of family life—the sentimental photo album—into discomfiting, divisive, and ultimately unforgettable artwork. For her series “Immediate Family,” she shot her three children (Emmett, Jessie, and Virginia) in vulnerable positions at their summer home in ...
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Joffe has talked about her images of mothers and children in terms of transitions – not only of ageing but also an attempt to mark a life’s milestones, as universal as they are personal.
Chantal Joffe photographed in her studio in March 2018. Photo: Kate Peters. From the May 2018 issue of Apollo. Preview and subscribe here. Chantal Joffe’s The Squid and the Whale (2017) depicts two figures sitting on the edge of a bed, one almost obliterated by the other.
May 4, 2017 · Taken against the Arcadian backdrop of her woodland summer home in Virginia, Sally Mann’s extraordinary, intimate photographs of her children reveal truths that embody the individuality of her own family yet ultimately take on a universal quality.
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Why did Joffe paint her baby?
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The first portrait of Joffe's daughter Esme shows her as a newborn - "very, very new, when their face is all puffy and bloated". Joffe actually painted this picture from a photo about a...
