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  1. Jan 6, 2023 · Discover the significance of symbolism, Ruben Östlund's directorial style, and thought-provoking themes in the film Triangle of Sadness.

  2. Oct 7, 2022 · Spoiler alert: The following interview addresses plot twists and details of “Triangle of Sadness,” including the ending.

    • mark.olsen@latimes.com
    • Staff Writer
  3. Oct 14, 2022 · Nicholas Barber. Features correspondent. Getty Images. Ruben Östlund's Cannes-winning satire contains perhaps the greatest vomiting scene ever seen on screen – and so joins the long list of films...

    • Triangle of Sadness Synopsis & Summary
    • Triangle of Sadness Ending Explained
    • Triangle of Sadness Themes Explained

    PROLOGUE

    Triangle of Sadnessopens at a casting audition were a fashion reporter interviews a parade of aesthetically muscular and handsome male models backstage on their career choices. The reporter quizzes the male models who are waiting to be seen and judged – What are the essential aspects of being a male model? Are they satisfied making just one-third the income of their female counterparts? Did they receive familial support in being a male model? The roaming reporter notices Carl (Harris Dickinso...

    PART 1: CARL AND YAYA

    In the first act, the scene shifts to a fashion show where Carl struggles to find an extra seat as he is disposed from his heart owing to a group of important influencers needing a front-row seat. It is ironic when a giant screen flashes phrases such as “everyone’s equal now,” “act now,” and “love now,” as we just witnessed how a group of people lost their seats and certain people are privileged over the other. This apparently socially conscious fashion show is anything but hypocrisy. And the...

    WHAT DID CARL AND YAYA FIGHT OVER?

    After the fashion show, we follow the fashion models through an awkward dinner date at a fancy restaurant, where a disinterested Yaya ignores the check and waits for Carl to pay. Carl openly wonders why he always picks up the check even though Yaya earns more money. Yaya dismissively asks whether she should whip out a calculator to split the bill. They seem privileged by their looks but argue over who will pay for dinner. Carl grasps for equality in the relationship without slipping into ster...

    HOW DID ABIGAIL BECOME THE CAPTAIN OF THE SURVIVORS?

    The following day, Abigail (Dolly de Leon), the toilet manager, who had managed to escape the yacht in an emergency lifeboat, gets washed ashore. The lifeboat has some supplies of emergency food and water, which Paula distributes to the survivors. We realize that even when stranded, the survivors act as if nothing has changed and are still keeping up with their roles. Paula believes that the safety of the guests is her responsibility now and tries to command Abigail. But soon enough, Abigail...

    DOES ABIGAIL TAKE ADVANTAGE OF CARL?

    When Carl is denied food for the previous night’s oversight, he flirts with Abigail despite her age. Abigail takes advantage of Carl sexually in exchange for special privileges and food, which he shares with Yaya. Just like Yaya’s looks granted her the opportunity for a free-of-charge cruise, Carl’s looks gave him a chance to have extra food and a comfortable place to sleep. Initially, Carl checks in with Yaya to ask what he can and cannot do, but it soon becomes a routine for Carl and Abigai...

    DOES THE GROUP SURVIVE? IS YAYA ALIVE?

    The next day, Yaya informs Abigail that she will take a long hike to the top of the nearby hill to see what is on the other side in hopes of finding help. Abigail decides to accompany her to reconcile any disagreements between them. During the walk, Yaya praises Abigail for her work on the island as the self-proclaimed captain and how she “managed to run a fucking matriarchy” and “domesticated all the old alpha males.” In the meantime, Theresa finds a peddler selling branded Gucci and Louis V...

    A POSTMODERN CRITIQUE OF RELATIONSHIPS AND GENDER ROLES

    Ostlund’s Triangle of Sadnessoffers a postmodernist critique of relationships and gender roles through the interactions of two posh fashion models. In the near-perfect first act, the tense restaurant snippet exposes the asymmetrical and lopsided nature of Carl and Yaya’s relationship. Their relationship is fraught with jealousy, insecurity, and professional precarity and is dominated by conflicts over money. Carl, an archetype of a struggling male modeling industry, is unsettled about Yaya ma...

    A BITING SATIRE OF WEALTH AND BEAUTY PRIVILEGE

    Triangle of Sadnessis a vicious satirical attack on the excesses of beauty and wealth indulging in the case study of society’s 1% ultra-rich wealth hoarders and beauty influencers. When the self-obsessed elites go on a luxury cruise, money speaks for them, and the crew members and workers wait on hand and foot in a servile fashion to meet their demands. It puts the obscenely wealthy, obnoxiously out-of-touch high society under the microscope and unmasks their greed, hypocrisy, vanity, and thi...

    A CARNIVALESQUE ANALYSIS OF THE SUPERRICH

    Mikhail Bakhtin’s conception of the carnival blurs the distinctive lines between the social hierarchies of everyday life by profaning and overturning suppressed voices and energies. Ruben Östlund attempts the same in Triangle of Sadness,where he tries to turn the dominant assumptions upside down. The luxury yacht symbolizes the hierarchy-ridden social class comprising upper, middle, and lower social classes. Parallel to that, the three-decked yacht is occupied by the uber-rich on top, the Whi...

  4. May 28, 2022 · Triangle of Sadness wins the prestigious Palme d’Or in the Official Competition and Aftersun receives the French Touch Prize of the Jury in Critics’ Week.

  5. Triangle of Sadness: Directed by Ruben Östlund. With Thobias Thorwid, Harris Dickinson, Charlbi Dean, Jiannis Moustos. A fashion model celebrity couple join an eventful cruise for the super-rich.

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  7. May 25, 2022 · Triangle of Sadness: Ruben Östlund’s savage castaway satire finds humanity all at sea. A cleaning lady can be queen as a super-yacht’s worth of the super-rich capsize in Östlund’s dark but uproarious provocation.

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