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  1. Treffen in Travers: Directed by Michael Gwisdek. With Hermann Beyer, Corinna Harfouch, Uwe Kockisch, Susanne Bormann. In the fall of 1793, the essayist and naturalist Georg Forster meets his estranged wife, Therese, and her lover Ferdinand Huber.

  2. Treffen in Travers. Director: Michael Gwisdek, 105 Min., Color, Feature Film Deutsche Demokratische Republik (DDR) 1988 . Film/Video Format 35 mm Length in m 2891

  3. Mar 20, 2016 · Watch trailer. 1793 ‒ Der Dichter und Naturforscher Georg Forster (Hermann Beyer), ein überzeugter Anhänger der Französischen Revolution, reist von Paris nach Travers, um sich dort mit seiner Ehefrau Therese (Corinna Harfouch) zu treffen. Forster möchte sie und seine beiden Töchter zu sich holen. Therese aber will die Scheidung, um ihre ...

  4. 101 minutes. Country. Germany. Language. German. Treffen in Travers is a 1988 German drama film directed by Michael Gwisdek. It was screened in the Un Certain Regard section at the 1989 Cannes Film Festival. [1]

  5. In the fall of 1793, the essayist and naturalist Georg Forster meets his estranged wife, Therese, and her lover Ferdinand Huber. Over the course of three days and nights, and in the shadow of the revolutionary events in Paris, a private melodrama takes place in Travers, Switzerland.

  6. The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of ...

  7. The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna’s lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue ...