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1. www.nytimes.com › 1982/07/12 › usRISE OF RADIO'S 'BLACK MUSIC' SOURCE - The New York Times

   www.nytimes.com › 1982/07/12 › us

   Jul 12, 1982 · With air time sponsored primarily by such mail-order record houses as Randy's, Ernies and Buckley's, WLAC changed its daytime fare of news and pop music, aimed at whites, to one featuring...

2. pastdaily.com › 2017/06/10 › rock-segregation-radioBefore It Was Rock And While It Was Segregation - Radio 1950s

   pastdaily.com › 2017/06/10 › rock-segregation-radio

   Jun 10, 2017 · For the most part, music recorded by Black artists were relegated to “race” labels, even though there were notable exceptions. You couldn’t buy records from the likes of a Joe Turner or early Ray Charles at a record store in a predominately White neighborhood, unless you were connected to the store owner and they would special order for you.

3. slate.com › culture › 2016How Rock and Roll Became White - Slate Magazine

   slate.com › culture › 2016

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   Oct 6, 2016 · By 2011, when a popular New York “classic rock” radio station held a listener poll to determine the “Top 1,043” songs of all time, only 22—roughly 2 percent—were recordings by black...

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4. www.npr.org › 2013/07/10 › 200465359A Racial Divide, Diminished: What Was On The Radio In 1963

   www.npr.org › 2013/07/10 › 200465359

   Jul 10, 2013 · The pop charts were dominated by feel-good summer songs during the summer of '63. But there was an alternate reality on the R&B charts, and young white listeners were tuning in.

5. medium.com › prxofficial › celebrating-25-years-ofCelebrating 25 Years of ‘Black Radio: Telling It Like It Was’

   medium.com › prxofficial › celebrating-25-years-of

   Feb 11, 2021 · The series reveals the remarkable correlation between Black radio programming and African American culture milestones through interviews, historical airchecks, comedy, drama, and music.

6. artsandculture.google.com › story › golden-age-ofGolden Age of Black Radio - Part 4: Gender Equality and Civil ...

   artsandculture.google.com › story › golden-age-of

   • Cached

   Apr 22, 1995 · Vy Higginsen became New York City's first female deejay in prime time radio on WBLS-FM, which offered the “Total Black Experience.” Under flamboyant program director Frankie Crocker,...

7. People also ask

   What is black radio telling it like it was?

   • The series 'Black Radio: Telling It Like It Was' reveals the remarkable correlation between Black radio programming and African American culture milestones. Through interviews, historical airchecks, comedy, drama, and music, it tells the story of radio’s role in the 20th-century transformation of the African American community.

   Celebrating 25 Years of ‘Black Radio: Telling It Like It Was’ - Medium

   medium.com/prxofficial/celebrating-25-years-of-black-radio-telling-it-like-it-was-b0e5a2229b91

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   How does black radio influence African American culture?

   • Black radio has a remarkable correlation with African American culture milestones as revealed in the series. This is demonstrated through interviews, historical airchecks, comedy, drama, and music. The series explores radio during the great migration of Blacks from the South, trail-blazing Black DJs and stations, and Black radio during the Civil Rights movement.

   Celebrating 25 Years of ‘Black Radio: Telling It Like It Was’ - Medium

   medium.com/prxofficial/celebrating-25-years-of-black-radio-telling-it-like-it-was-b0e5a2229b91

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   When did Radio Smithsonian begin airing?

   • Radio Smithsonian first aired in 1996. The series explores radio during the great migration of Blacks from the South, trail-blazing Black DJs and stations, and Black radio during the Civil Rights movement.

   Celebrating 25 Years of ‘Black Radio: Telling It Like It Was’ - Medium

   medium.com/prxofficial/celebrating-25-years-of-black-radio-telling-it-like-it-was-b0e5a2229b91

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   What if there were no black radio series?

   • Without 'Black Radio: Telling It Like It Was', there would be no such series. Jacquie Gales Webb: The rebroadcast of 'Black Radio' has a timeless personality. People are drawn to the stories and the people who are telling them. How is this rebroadcast different from the original piece in 1996?

   Celebrating 25 Years of ‘Black Radio: Telling It Like It Was’ - Medium

   medium.com/prxofficial/celebrating-25-years-of-black-radio-telling-it-like-it-was-b0e5a2229b91

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   Are black artists relegated to book-length histories of black music?

   • While many black performers of the 1960s have been relegated to book-length histories of black music generally, white artists like Bob Dylan or the Beatles receive increasingly lavish biographies and isolated critical treatments of musical output.

   How Rock and Roll Became White - Slate Magazine

   slate.com/culture/2016/10/race-rock-and-the-rolling-stones-how-the-rock-and-roll-became-white.html

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   How did black music become a racial-cum-musical monolith?

   • To rock audiences, black music and musicians were abstracted into a racial-cum-musical monolith, rapidly reimagined as the “remarkable primitives who unconsciously foreshadowed future developments” that Margo Jefferson wrote of in early 1973. Chuck Berry and Keith Richards, 1986.

   How Rock and Roll Became White - Slate Magazine

   slate.com/culture/2016/10/race-rock-and-the-rolling-stones-how-the-rock-and-roll-became-white.html

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8. www.nytimes.com › 2022/01/26 › theaterThe Evolution of Black Music, and a Man ... - The New York Times

   www.nytimes.com › 2022/01/26 › theater

   Jan 26, 2022 · Near the end of “Black No More,” over an aggressive rap beat, a white antagonist asserts that Black lives don’t matter, a perceived reference to the modern-day Black Lives Matter movement.