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  1. Oct 3, 2014 · A correction was made on. Oct. 19, 2014. : A review on Oct. 5 about “The Zone of Interest,” a novel by Martin Amis set in Auschwitz, misidentified the historical figure on whom one of the book ...

    • Ruth Franklin
  2. The Zone of Interest is the fourteenth novel by the English author Martin Amis, published in 2014. Set in Auschwitz, it tells the story of a Nazi officer who has become enamoured of the camp commandant's wife. The story is conveyed by three narrators: Angelus Thomsen, the officer; Paul Doll, the commandant; and Szmul Zacharias, a Jewish ...

  3. Sep 17, 2014 · Martin Amis' 'Zone Of Interest' Is An Electrically Powerful Holocaust Novel. When I picked up Martin Amis' new novel, The Zone of Interest, it felt as though I had touched a third rail, so ...

  4. May 20, 2023 · The Zone of Interest. Director: Jonathan Glazer. Cast: Sandra Hüller, Christian Friedel, Ralph Herforth. Run-time: 1hr 45m. The family is even less bothered by human pain and death than the alien ...

  5. Jan 29, 2015 · The Zone of Interest (2014) is Martin Amis ’s second novel to tackle the Holocaust. His first, Time’s Arrow, was experimental fiction, but here the story is rooted firmly in the grim reality of Auschwitz; weaving together the lives of a small handful of characters, the novel is a very human look at the day-to-day life of an extermination camp.

  6. Feb 2, 2024 · The Zone of Interest (2014) was a novel by Martin Amis focused on a mid-ranking SS officer at Auschwitz, lusting after the commandant’s wife with a banal desire that entirely brackets all the horror around him, a mass-murder machine evaded through indifference and linguistic euphemism. Amis’s heavy-handed satire makes the commandant’s own narration that of a deluded monster, dogged at ...

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  8. May 21, 2023 · With The Zone of Interest, it’s as if Glazer has responded to the idea of the Holocaust as unrepresentable not just by rendering absence – the film opens with at least a minute of black screen over Mica Levi’s banshee soundscapes – but by racking focus on a slice of Germany society. And so, we observe Christian Friedel’s Rudolf Höss ...

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