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  1. Le MURA DI MALAPAGA...girato nel centro storico di Genova.

    • 83 min
    • 21.4K
    • rocco potorti
  2. The Walls of Malapaga. The Walls of Malapaga (Italian: Le mura di Malapaga, French: Au-delà des grilles (Beyond the Gates), is a 1949 French-Italian drama film directed by René Clément and starring Jean Gabin, Isa Miranda and Andrea Checchi. It was a co-production made by Francinex and Italia Produzione, produced by Alfredo Guarini from a ...

  3. Mar 13, 2018 · The exhibition encompasses broad cultural histories and image-making practices. The historic mansion is closed through November 8 for construction. The museum's exhibitions, Open Face eatery, Museum Shop, gardens, and Dryden Theatre remain open during this time.

  4. Feb 1, 2023 · "The Walls of Malapaga" ["Le Mura di Malapaga"] is also known by the English title "The Flesh is Weak". This is the third movie of Rene' Clement and is a masterpiece of post-war neorealism and melodrama with the splendid performances of Isa Miranda and Jean Gabin.

    • February 01, 2023
    • FP - My Classic Movies
    • 83 min
    • 624
  5. The Walls of Malapaga ★★ Au-Dela des Grilles; Le Mura di Malapaga 1949. Frenchman Gabin, who's killed his mistress, stows away aboard a ship to Italy. He arrives in Genoa only to have all his money and papers stolen. Gabin then meets Miranda, a lonely waitress with a young daughter, and the two fall in love.

  6. Jun 17, 2012 · Jointly from France and Italy, a key work of postwar European psychology, René Clément’s Au-delà des grilles (literally, Beyond the Gates), in Italy known as Le mura di Malapaga, beautifully fleshes out a highly melodramatic scheme of past, present and future in order to portray, combinately, European trauma and uncertainty.

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  8. Technically the first winner of the (honorary at the time) Academy Award for best foreign language film, it’s a crime melodrama set in the hellish postwar ruins of Genoa, and its joint Italian and French provenance beautifully blends the magic of French poetic realism with the grittiness of Italian neorealism.