Maxwell Kirshner
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Running time. 90 min. Country. United States. Language. English. The Thing with Two Heads is a 1972 American blaxploitation science fiction comedy film directed by Lee Frost and starring Ray Milland, Rosey Grier, Don Marshall, Roger Perry, Kathy Baumann, and Chelsea Brown. [1][2]
The Thing with Two Heads: Directed by Lee Frost. With Ray Milland, Roosevelt Grier, Don Marshall, Roger Perry. Doctors are forced to transplant the head of terminally ill, arthritic racist surgeon Maxwell Kirshner onto the body of African American Death Row inmate Jack Moss because there is no other donor.
- (2.9K)
- Comedy, Sci-Fi
- Lee Frost
- 1972-07-19
A 1972 American blaxploitation sci-fi horror comedy movie directed by Lee Frost, which has a dying, racist white doctor's (Ray Milland) head getting grafted onto the body of a black death row inmate (Rosey Grier). The movie also stars Don Marshall, Roger Perry, Kathy Baumann, Chelsea Brown, John Dullaghan, Lee Frost, Rick Baker, John Bliss, and ...
The Thing with Two Heads ★★½ 1972 (PG)The inspired box copy says it all: “They share the same body…but hate each other's guts!”. Max Kirshner (Milland), a white racist surgeon, plans to cheat death by having his head attached to another body. Imagine his surprise when he finds his noggin stitched onto black Jack Moss (Grier), right ...
Written by the director Lee Frost, Wes Bishop and James Gordon White, the 1972 film doesn't look sure of whether it thinks it's funny, but seems to add gags to cover itself. Where The Incredible was a straight-forward monster movie, The Thing has an agenda: it is, in fact, a sensitive treatment of the tricky subject of racism.
A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man's body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row. Lee Frost. Director, Screenplay, Story. Wes Bishop. Screenplay, Story. James Gordon White.
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Sep 10, 2012 · Special effects are in keeping with the general tone of the film (the difference between Milland's florid face in close-up and the ashen colour of the wax model used for long shot is hilariously ...
