Maxwell Kirshner
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90 min. Country. United States. Language. English. The Thing with Two Heads is a 1972 American blaxploitation science fiction comedy film directed by Lee Frost and starring Ray Milland, Rosey Grier, Don Marshall, Roger Perry, Kathy Baumann, and Chelsea Brown. [1][2]
The Thing with Two Heads: Directed by Lee Frost. With Ray Milland, Roosevelt Grier, Don Marshall, Roger Perry. Doctors are forced to transplant the head of terminally ill, arthritic racist surgeon Maxwell Kirshner onto the body of African American Death Row inmate Jack Moss because there is no other donor.
- (2.9K)
- Comedy, Sci-Fi
- Lee Frost
- 1972-07-19
A rich but racist man is dying and hatches an elaborate scheme for transplanting his head onto another man's body. His health deteriorates rapidly, and doctors are forced to transplant his head onto the only available candidate: a black man from death row. Lee Frost. Director, Screenplay, Story. Wes Bishop. Screenplay, Story. James Gordon White.
A 1972 American blaxploitation sci-fi horror comedy movie directed by Lee Frost, which has a dying, racist white doctor's (Ray Milland) head getting grafted onto the body of a black death row inmate (Rosey Grier). The movie also stars Don Marshall, Roger Perry, Kathy Baumann, Chelsea Brown, John Dullaghan, Lee Frost, Rick Baker, John Bliss, and ...
The most incredible thing in “The Thing with Two Heads” is not the head transplant, however, but what happens next. Within hours after Milland’s head has been screwed on, the two-headed escapee is on a motorcycle and being chased by no less than 14 police cars. Every one of them is destroyed during the chase, a process that takes so long ...
Synopsis. A car pulls into a pathway and up to a vast mansion. A driver gets out and walks to the boot to get out a wheelchair. An Orderly comes out to open a rear door. Dr. Maxwell Kirshner (Ray Milland) is helped out of the car and put in a wheelchair. He gets wheeled up the steps and into the mansion.
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Sep 10, 2012 · Special effects are in keeping with the general tone of the film (the difference between Milland's florid face in close-up and the ashen colour of the wax model used for long shot is hilariously ...
