Dan Freeman
Search results
The Spook Who Sat by the Door is a 1973 action crime–drama film based on the 1969 novel of the same name by Sam Greenlee (which was first published in the United Kingdom by Allison and Busby after being rejected by American publishers).
A former CIA agent (Lawrence Cook) organizes black teenagers into well-trained guerrilla bands bent on overthrowing the white establishment.
- (12)
- Ivan Dixon
- PG
- Lawrence Cook
Sep 16, 2023 · Summary. The Spook Who Sat by the Door is a forgotten but essential piece of Black Cinema, shining a light on systemic issues and remaining relevant today. The film depicts a Black man who...
The Spook Who Sat by the Door: Directed by Ivan Dixon. With Lawrence Cook, Janet League, Paula Kelly, J.A. Preston. A black man plays 'uncle Tom' in order to gain access to CIA training, then uses that knowledge to plot a new American revolt.
- (1.6K)
- Action, Drama, Crime
- Ivan Dixon
- 1981-12-23
3 days ago · The film that would bring Preston to Indiana was director Ivan Dixon’s audacious adaptation of Sam Greenlee’s radical novel “The Spook Who Sat By the Door.” Made on a modest budget, the film, about a Black ex-CIA agent returning to Chicago to show Black communities the tools for armed revolution, vanished from theaters as soon as it appeared.
Adapted by Sam Greenlee from his autobiographical fantasia about a token black CIA operative turned liberation leader, The Spook Who Sat by the Door might long have been recognised as one of the great African-American calls to arms – had it not been suppressed by the FBI, says David Somerset.
People also ask
Is 'the Spook who sat by the door' a black film?
What is the Spook who sat by the door about?
When was the Spook who sat by the door adapted?
Did 'the Spook who sat by the door' make an impact?
Where can I watch the Spook who sat by the door?
Was 'the Spook who sat by the door' America's first Wake-Up Call?
Aug 9, 2024 · here, the spook who sat by the door (1973) captures this dynamism (and all of its existing contradictions) seamlessly. throughout the film, we see plainly and explicitly what integration into white civil society asks of us literally, everyday. just about any of us who are not permanently shackled to the outskirts of white civil society (by way ...
