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      • Cast Bill Hader as Milo Dean, Maggie's brother Kristen Wiig as Maggie Dean, Milo's sister Luke Wilson as Lance, Maggie's husband Ty Burrell as Rich Levitt, Milo's former teacher Boyd Holbrook as Billy, Maggie's scuba instructor Joanna Gleason as Judy Dean, Maggie and Milo's mother Adriane Lenox as Dr. Linda Essex
      en.wikipedia.org/wiki/The_Skeleton_Twins
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  2. The Skeleton Twins Cast & Crew Credits: Craig Johnson Bill Hader Mark Duplass Kristen Wiig Luke Wilson Ty Burrell

  3. Following many years of estrangement, twins Milo (Bill Hader) and Maggie (Kristen Wiig) have an unexpected reunion after a set of near-tragedies. The situation forces them to confront how their...

    • (169)
    • Craig Johnson
    • R
    • Bill Hader
  4. The Skeleton Twins is a 2014 American comedy drama film directed by Craig Johnson and starring Bill Hader and Kristen Wiig. [1][6] The film premiered in competition at 2014 Sundance Film Festival on January 18, 2014. [7] It won the Screenwriting Award: U.S. Dramatic at the festival. [8]

  5. The Skeleton Twins - Full Cast & Crew. In this offbeat drama, Milo returns to his hometown to reconnect with his sister Maggie after a family tragedy. In time, he contacts an old buddy,...

    • Craig Johnson
  6. The Skeleton Twins: Directed by Craig Johnson. With Bill Hader, Kristen Wiig, Luke Wilson, Ty Burrell. Having both coincidentally cheated death on the same day, estranged twins reunite with the possibility of mending their relationship.

    • (45K)
    • Comedy, Drama, Romance
    • Craig Johnson
    • 2014-09-11
  7. After ten years of estrangement, twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront how their lives went so wrong. As the twins' reunion reinvigorates them both, they realize that the key to fixing their lives just may lie in fixing their relationship with each other.

  8. Sep 12, 2014 · The Skeleton Twins is a well-written and acted movie about contemporary life that doesn’t strain for melodrama and is largely devoid of weepy soap opera theatrics. A small, precise, character-driven vignette, it has no pretensions to make any kind of grand statement about The Way We Live Now.

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