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Aug 5, 2022 · The Sandman – The DVDfever Review – Netflix – Tom Sturridge. The Sandman begins in 1916, at Wych Cross, England, and in the waking world, aka the ‘real world’. Meanwhile, the titular Sandman is in the dream world, with Dream (Tom Sturridge – Remainder, Journey’s End) being the King of Dreams and Nightmares. However, my dreams don ...
Aug 5, 2022 · After stopping various versions of The Sandman from being made, Gaiman's team has finally achieved the impossible by creating something that fans have long hoped for, but didn't dare dream for...
- 20 min
- David Opie
- 'Til the sandman, he comes
- Mr Sandman, bring me a dream
- Topical themes and casting dreams
- Shifting sands
- Our verdict
Reviews
By Tom Power
published 5 August 2022
The Sandman is as faithful an adaptation as you're going to see.
The Sandman tells the tale of Morpheus (Tom Sturridge), also known as Dream/the titular Sandman, one of the seven beings known as The Endless and the King of the Dream Dimension.
Powerful though he is, when Morpheus visits Earth in 1916 to apprehend The Corinthian (Boyd Holbrook), one of the Dream Dimension's escaped nightmares, he's captured by amateur occultist Sir Roderick Burgess (Charles Dance) when a summoning ritual goes awry. After 106 years of imprisonment, Morpheus eventually escapes and returns home. However, in his absence, the Dream Dimension has fallen to ruin and, save for a few loyal followers, including librarian Lucienne (Vivienne Acheampong), it's long been deserted by its inhabitants.
Determined to restore order, Morpheus embarks on a quest to retrieve the three items that give him his power – his sand pouch, helm, and dreamstone – and rebuild his empire. Morpheus soon learns, though, that his confinement has set startling events in motion that may alter the course of the universe itself.
Sounds simple enough, right? Well, not exactly. The Sandman is a dense, multi-narrative tale set across several time periods, as well as being packed with thematic resonance and a seemingly infinite number of characters and locations.
Given the complexity of The Sandman's overarching narrative, then, newcomers may worry that 10 episodes' worth of confusion, backtracking, and extracurricular reading might be needed to fully grasp the series' complicated plot.
Thankfully, showrunner Allan Heinberg (Wonder Woman) alongside Gaiman and fellow executive producer David S Goyer (Foundation), ease viewers into proceedings from the get-go. The series premiere is very much a set-up episode; introducing audiences to key characters and lays the foundations for more important storylines to come, some of which don't pay off until later in the season. Early episodes equally do a good job of establishing The Sandman's other worlds and realms without being overly expository, allowing viewers to immerse themselves in this universe without being subjected to information overload.
With its universe, characters, and major plot threads established, The Sandman sets about exploring its main themes and showcasing its cast's undoubted talents.
Ultimately, it's the story of one individual's hubris – that being Morpheus – and their quest to become more humble, sincere and, strange as it is to say for a cosmic deity, human than before. It's this thematic thread that runs through The Sandman's overarching narrative and makes Morpheus such a relatable character.
Even though Morpheus isn't a typical hero – after all, his reasons re-acquiring his magical items and restoring his kingdom are largely built on self-indulgent means – you can't help but root for him. The trials he endures to re-acquire his power-based conduits, whether it's taking on Lucifer in a reality-altering duel or forming an uneasy alliance with Constantine to aid her with a pressing errand, put Morpheus' skills and humanity to the test in fascinating fashion.
It helps that Sturridge's portrayal of Morpheus is suitably enthralling. The Irma Vep alumnus captures the brooding charm and haughtiness of Morpheus' comic book counterpart, all the while bringing the right amount of heart and poignancy to scenes when required. It's this character complexity, coupled with Morpheus' internal struggle to become a more benevolent ethereal being towards humans – particularly in light of his experiences with the Burgess family – that makes his journey such a compelling watch.
Of course, a leading actor is oft-times only as good as their supporting cast, and The Sandman's is at the top of their game.
Christie's Lucifer, who's more in keeping with the comics' iteration of Hell's ruler than the Tom Ellis version we've previously seen, is devilishly menacing. Thewlis' Dee, too, is a politely callous, manipulative, and vindictive counterpoint to Morpheus – the pair's dynamics with Sturridge's protagonist demonstrating his vulnerability and occasional naivety as he searches for his vestments.
As adaptations go, The Sandman devotees will be thrilled with how closely Netflix's TV show sticks to the source material.
For one, the series pulls certain images right out of the comics. From Morpheus escaping captivity and Death's scolding of Morpheus, to the latter's confrontation with Desire (Mason Alexander Park) and that extensive diner sequence involving John Dee – if you know, you know – Netflix's live-action interpretations of iconic Sandman panels are pleasingly accurate. In fact, the painstaking approach taken by the show's chief creative team, to stick closely to the source material, is something to be applauded. Other adaptations, particularly those of a movie format persuasion, surely would have cut vital aspects of the story for the supposed benefit of their runtime.
That isn't to say The Sandman TV series is a perfect adaptation. Sure, some alterations have been made to better reflect the world in the present. The non-traditional casting of Christie, Coleman, and Acheampong's characters, in addition to the hiring of a Black actor in Howell-Baptiste to play Death, are welcome changes from how these individuals are perceived in the source material, despite the baffling criticism their castings were met with.
While those creative choices should be celebrated, there are other alterations that may not sit well with long-time fans. For one, given the license and copyright deals surrounding some DC comic characters, Netflix's The Sandman can't utilize specific superheroes or individuals who made cameos in Gaiman's graphic novels. Those hoping to see Mister Miracle or Martian Mahunter – or even hear John Dee's supervillain alias – in the TV adaptation, then, are sure to be disappointed.
Other subplots have been significantly altered or removed entirely, too. Without spoiling anything major, one minor story thread following Morpheus' escape has been excluded, while events surrounding Lyta Hall and Jed Walker (Eddie Karanja) have been rewritten to fit the TV show's narrative. These and other alterations aren't deal breakers but, nonetheless, they're significant departures from the source material that might frustrate diehards.
Deviations from the comics aren't the only blots on The Sandman's development. Overall, the show's VFX and CGI elements are visually spectacular, which you would expect from a production of this scale and budget. However, there are times where the use of green screen technology is jarringly obvious; incidents that make The Sandman's visuals feel slightly amateurish.
The Sandman is a compelling, near-faithful adaptation of Gaiman's popular and convoluted comic series. Established fans will be surprisingly pleased with this richly detailed live-action interpretation that explore The Sandman mythos with aplomb, while newcomers are sure to marvel at its heady mix of fantasy, drama, horror, and noir thriller genres.
It's not a faultless piece of work. Sandman novices may struggle with its pacing and at-times elaborate lore, while diehards may be peeved at what they consider to be unnecessary deviations from Gaiman's original works and its occasional penchant for overly elaborate plot explanations. Some of its dialog is a little on the nose, too – we really could've done without two instances where a character says "our dreams really are coming true".
However, given that, for the longest time, The Sandman was thought to be unadaptable, Gaiman, Netflix, and company have proven it was possible all along. It's not flawless but, with the obstacles it's had to overcome, Netflix's The Sandman is an adaptation worthy of Gaiman's iconic graphic novel series.
The Sandman launches exclusively on Netflix on Friday, August 5.
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- Senior Entertainment Reporter
- tom.power@futurenet.com
The Sandman: Created by Neil Gaiman, David S. Goyer, Allan Heinberg. With Tom Sturridge, Boyd Holbrook, Patton Oswalt, Vivienne Acheampong. Upon escaping after decades of imprisonment by a mortal wizard, Dream, the personification of dreams, sets about to reclaim his lost equipment.
- (176K)
- 2022-08-05
- Drama, Fantasy, Horror
- 45
Aug 5, 2022 · The opening moments of Netflix’s The Sandman are heart-stopping. We watch a beautiful raven fly from the waking world of humans into the realm of the titular Sandman (Tom Sturridge).
- Tauriq Moosa
Oct 17, 2022 · FILM REVIEW: Netflix “The Sandman”. Dream has arrived. The highly anticipated adaptation of Neil Gaiman’s epochal graphic novel series landed on Netflix just a short while ago. It is season 1 – covering the first part of the series and leaving enough room for several more seasons to follow if, when, it is a success.
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Aug 5, 2022 · Decades of troubled development don't stop Netflix's The Sandman series from delivering an impressive adaptation of Neil Gaiman's groundbreaking comic book.
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