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  1. Oct 18, 2022 · The Ring is not scary, or at least not to yours truly, but that does not mean it doesn't deserve its status as a horror classic. It's a haunting, psychological nightmare, a race against a...

    • Lloyd Farley
    • Senior Author
  2. Every scene and every shot of "The Ring," the smart American remake of the popular 1998 Japanese horror film "Ringu," prompts a nearly asphyxiating aura of dread. It weighs down heavily on the characters' lives and viewers' heads, refusing to let up.

  3. August 20, 2020. The Ring (2002) Film Review. Copper Shock's blog explores the horror film genre by looking at how this classic horror film and how its origins are colored by the original Japanese film it was inspired from.

  4. Oct 10, 2002 · Imagine avant-garde cinema as terror mechanism. In Gore Verbinski’s anti-art remake of Nikata Hideo’s Ringu, a journalist counts down the days till her fatal demise. Rachel Keller (Namoi Watts) learns that her niece and three friends watched a mysterious videocassette before they met their deaths seven days later.

  5. In THE RING, a remake of a Japanese horror film based on a series of books, urban legend meets scary movie reality when four teens die, as predicted, exactly seven days to the minute from when they watched an unmarked video in a remote mountain cabin.

    • Amber Tamblyn, Martin Henderson, Naomi Watts
    • Gore Verbinski
    • Dreamworks
  6. The Ring is a 2002 American supernatural horror film directed by Gore Verbinski and written by Ehren Kruger. Starring Naomi Watts, Martin Henderson, David Dorfman, and Brian Cox, the film focuses on Rachel Keller (Watts), a journalist who discovers a cursed videotape that causes its viewers to die seven days later.

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  8. Oct 18, 2002 · Reviews. The Ring. Horror. 115 minutes ‧ PG-13 ‧ 2002. Roger Ebert. October 18, 2002. 3 min read. Rarely has a more serious effort produced a less serious result than in “The Ring,” the kind of dread dark horror film where you better hope nobody in the audience snickers, because the film teeters right on the edge of the ridiculous.

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