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The Platters are an American vocal group formed in 1952. They are one of the most successful vocal groups of the early rock and roll era. Their distinctive sound bridges the pre-rock Tin Pan Alley tradition and the new burgeoning genre.
- Zola Taylor
Taylor appeared with The Platters in the first rock'n'roll...
- Tony Williams
Williams was born in Elizabeth, New Jersey, the son of...
- Zola Taylor
The Platters® is the official music website of the legendary rock & roll band that produced countless hits in the 50s and 60s. Today, The Platters® are still highly relevant to popular music culture, with timeless melodies loved by millions of fans across the globe and streams on Spotify alone surpassing three million every month.
In 1952-53, bass singer Herb Reed founded and named The Platters, later becoming a Rock n’ Roll, Vocal, and GRAMMY® Halls of Fame artist. It is the first black group to be overwhelmingly accepted on the world stage and the first to reach international superstardom (www.theplatters.com).
Oct 17, 2024 · the Platters, American vocal ensemble, one of the foremost singing groups of the early days of rock and roll and also often associated with the doo-wop style. The principal members were Tony Williams (byname of Samuel Anthony Williams; b. April 5, 1928, Elizabeth, New Jersey, U.S.—d. August 14, 1992, New York, New York), Zola Taylor (b.
The Platters. The leading R&B vocal group of the 1950s, with silken, heartfelt vocals that helped them become a major crossover act. Read Full Biography. STREAM OR BUY: Active. 1950s - 2020s. Formed. 1952 in Los Angeles, CA. Genre.
May 24, 2019 · The Platters were the king of the pop vocal groups in the late Fifties, indelibly linked to doo-wop even though they didn't utilize the style. Find out more about the group behind "The Great Pretender," "Only You," and "Smoke Gets in Your Eyes" here in this profile from your Oldies Expert at About.com.
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The Platters, like their predecessors The Ink Spots, were the most popular African-American vocal group of their decade, topping both the R&B and pop charts, and often beating out covers by white artists, a feat previously unaccomplished by a black recording artist.
