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1. www.nytimes.com › the-paris-opera-reviewReview: With ‘The Paris Opera,’ a Peek Behind the Curtain

   www.nytimes.com › the-paris-opera-review

   Oct 17, 2017 · At its most fun, “The Paris Opera” functions as a stealth backstage chronicle, notably when the man singing the part of Hans Sachs in Wagner’s “Die Meistersinger von Nürnberg” calls in ...

   • Paris Opera - The New York Times

     Critic’s Pick. Review: Lise Davidsen Achieves Strauss’s...

   • Review: Lise Davidsen Achieves Strauss’s Ideal in ‘Salome’

     Strauss had seemingly impossible standards for a soprano in...

2. www.nytimes.com › topic › paris-operaParis Opera - The New York Times

   www.nytimes.com › topic › paris-opera

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   Critic’s Pick. Review: Lise Davidsen Achieves Strauss’s Ideal in ‘Salome’. Strauss had seemingly impossible standards for a soprano in “Salome.” But Davidsen, making her role debut in Paris,...

3. www.nytimes.com › lise-davidsen-salome-reviewReview: Lise Davidsen Achieves Strauss’s Ideal in ‘Salome’

   www.nytimes.com › lise-davidsen-salome-review

   May 16, 2024 · Strauss had seemingly impossible standards for a soprano in “Salome.” But Davidsen, making her role debut in Paris, is exactly what he intended.

4. www.metacritic.com › movie › the-paris-operaThe Paris Opera Reviews - Metacritic

   www.metacritic.com › movie › the-paris-opera

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   Oct 18, 2017 · Covering an eventful artistic season, Jean-Stéphane Bron’s The Paris Opera is a well-observed vérité portrait of a major cultural institution. Read More By Sheri Linden FULL REVIEW

   • 54% (5)

   • Director: Jean-Stéphane Bron

5. www.latimes.com › entertainment › moviesReview: Documentary 'The Paris Opera' offers aficionados a ...

   www.latimes.com › entertainment › movies

   Oct 19, 2017 · Covering an eventful artistic season, Jean-Stéphane Bron’s “The Paris Opera” is a well-observed vérité portrait of a major cultural institution.

6. newyorkclassicalreview.com › 2024 › 03New York Classical Review

   newyorkclassicalreview.com › 2024 › 03

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   Mar 27, 2024 · Puccini is the mainstay of most Metropolitan Opera seasons, so it’s strange to think of one of his works as a rarity. But that’s the case with La Rondine, which first premiered at the Met in 1928, was revived in 1936, and wasn’t staged again until 2008.

7. People also ask

   Is Puccini's opera too sentimental?

   • The opera may be Puccini’s most colorful score, full of brilliant orchestration and some of his most sensuous chromaticism, yet the story is both too sentimental and too light.

   New York Classical Review

   newyorkclassicalreview.com/2024/03/with-an-elegant-rondine-met-revives-a-not-great-puccini-opera-with-great-music/

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   Is Fire Shut Up in my bones a black opera?

   • Last season, 'Fire Shut Up in My Bones' by Terence Blanchard triumphed as a Black opera at the Met. Similarly, Anthony Davis’s 'X' had a notable revival at Detroit Opera, marking a welcome wave of Black opera at leading American companies.

   Counting Down “The Hours” at the Met | The New Yorker

   www.newyorker.com/magazine/2022/12/12/counting-down-the-hours-at-the-met-opera

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   Why is Magda not a great opera?

   • The most compelling explanation for this intermittent presence is that it’s not a great opera, even though it does have great music in it—especially for the lead soprano in the role of Magda, which makes it a star vehicle.

   New York Classical Review

   newyorkclassicalreview.com/2024/03/with-an-elegant-rondine-met-revives-a-not-great-puccini-opera-with-great-music/

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   What is 'Omar' inspired by or based on?

   • Rhiannon Giddens and Michael Abels’s ‘Omar’ is an operatic meditation on suffering and spirituality in nineteenth-century Black America. It had its première at the Spoleto Festival this past spring and played at L.A. Opera in October and November. 'Omar' is inspired by or based on the experiences and themes of nineteenth-century Black America.

   Counting Down “The Hours” at the Met | The New Yorker

   www.newyorker.com/magazine/2022/12/12/counting-down-the-hours-at-the-met-opera

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8. www.newyorker.com › magazine › 2022/12/12Counting Down “The Hours” at the Met - The New Yorker

   www.newyorker.com › magazine › 2022/12/12

   Dec 5, 2022 · Kevin Puts’s new opera, inspired by Michael Cunningham’s novel, is finely crafted but lacks an original voice.