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  1. It underlines Urdus linguistic hybridities, the context of the zenana, reform and rekhti to illustrate how the modernising impulse under colonial rule impacted women as subjects in textual form.

  2. Progressive women's poetry was a notionally secular response to the religious nation, embodying alternative middle-class values that embraced intimacy, sexuality and opposition to the state's affiliation with the conservative Jamaat-e Islami party.

  3. In this chapter, I analyse the construction of voice and form deployed in a variety of Urdu texts about women at the turn of the century. In particular, I examine the social contexts, linguistic registers and literary form of the Urdu novel to assess the kind of middle-class values that were normalized at the time.

  4. The spirit of Urdu poetry was inflected with influences from bhakti and Sufi traditions underlining Indic and Islamicate aesthetic qualities. Jalal uses the political poetry of protest to illustrate the politics of changing Muslim subjectivities.

  5. Oct 26, 2011 · For example, many shops have signs in Urdu and English, the Asian clothes shops have mannequins dressed in salwar kameez, and there are ladies-only beauty parlours. Religious practice is centred on the three mosques: Masjid Noor, Madrasah Footnote 6 Zia-Ul Qur'an and Madrasah Taleem-Ul-Islam.

    • Asifa Siraj
    • 2011
  6. Sep 26, 2023 · The typical objections are reasonable: The term “opposite sex” exaggerates gender differences, or it ignores that some people do not identify along the gender binary of men and women.

  7. Women tend to be more talkative and emotional whereas men are usually reserved and not quite as open with their emotions. Many differences indeed exist between the spoken language of males and females.

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