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  1. Full Review | Original Score: 6/10 | Jun 8, 2015. Ray Milland in low budget Roger Corman horror-fest. Full Review | Original Score: 3/5 | Mar 8, 2008. Glorious low-budget fun, imaginative, eerie ...

  2. American director Roger Corman's science-fiction horror thriller X: The Man with the X-Ray Eyes (1963) is a fantastic old classic. Corman can stretch a dollar more than any other low budget ...

    • (26)
    • Ray Milland
    • Roger Corman
    • Sci-Fi
  3. May 4, 2020 · Corman’s last film as a director was 1990’s Frankenstein Unbound, which has a connection to X. You could say X takes some of Victor Frankenstein’s urges to be a God, which are inherent to Mary Shelley’s original story, and places them in a unique retelling for the burgeoning counter-culture of the 1960s.

  4. X: The Man with the X-Ray Eyes is 14513 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 1278 places since yesterday. In the United States, it is currently more popular than Ahsoka: Sabine's Loth-Cat but less popular than Double Down South. Rank. Title.

    • (95)
    • 18
    • Roger Corman
  5. May 24, 2024 · X: The Man with the X-Ray Eyes was the first Corman movie I ever heard of, though I saw it for the first time many years later. When my family first got a VCR back in the mid-80s, my parents ...

    • Brian Keiper
  6. Jun 18, 2015 · X (now with the subheading The Man With the X-ray Eyes) is an early sixties horror in the ‘mad scientist’ genre produced and directed by Roger Corman. The story is very simple; a doctor of medicine is enthralled with the idea of using more of the electromagnetic spectrum to see and when his research funding is cut off, experiments on himself to test his theory.

  7. At the film review aggregator website Rotten Tomatoes, the film holds an approval rating of 88%, based on 25 reviews, with a weighted average rating of 6.6/10. The site's critical consensus reads, "By turns lurid and disturbing, The Man with the X-Ray Eyes is a compelling piece of sci-fi pulp and one of Roger Corman's most effective movies." [7]

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