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Sep 2, 2023 · Lowdown Chords. by Boz Scaggs. 45,202 views, added to favorites 1,507 times. Author rvzoo62 [a] 102. 5 contributors total, last edit on Sep 02, 2023. View official tab. We have an official...
- The Rolling Stones - Low Down (Chords) - ULTIMATE GUITAR
Low Down Chords. by The Rolling Stones. 2,365 views, added...
- The Rolling Stones - Low Down (Chords) - ULTIMATE GUITAR
"Lowdown" (Boz Scaggs - David Paich) Intro: Em9 A13 [4X; flute enters 3rd time] / / / / / / / / Verse 1: Em9 A13. Baby's into runnin' 'round, hangin' with the crowd. Em9 A13. Puttin' your business in the street, talkin' out loud. Em9 A13.
Low Down Guitar chords and tabs by Boz Scaggs. Learn to play Guitar by chords / tabs using chord diagrams, watch video lessons and more.
Chords used in Boz Scaggs - Lowdown: G, Em, A, F#m, C#. Play on bass, guitar, keyboard, ukulele & mandolin in song key D, capo 0 fret. Use the free tempo shifter of ChordU to learn easily.
- Approach 1
- Approach 2
- Approach 3
- Approach 4
- Approach 5
- Approach 6
- Approach 7
- Approach 8
- Approach 9
- Approach 10
This approach uses one of the most common chord progressions in music: IV, V, I. Play each chord in root position with your left hand and listen to how the harmony guides the ear to “home base” when you get to C. This is called resolutionand is a key component to harmony. V – I is far and away the most common harmonic resolution in music, and you’l...
This approach is almost the same as approach 1, however this time we start with the ii chord. The ii-V-I progression is also extremely common in music, and is the fundamental chord progression of jazz. Many other styles of music utilize the ii-V-I, and this example also follows all three guidelines. In approach 3, we’ll get away from one of the gui...
You can see right away that this is a more involved chord progression! Each note of the melody is a chord tone of each chord, but the bass motion doesn’t follow the second guideline. That doesn’t matter, because this progression sounds great! One of the reasons this works so well is because this progression follows the third guideline: the penultim...
This is a very interesting chord progression! The reason this one works so well is because it follows all three guidelines. Pay attention to how the bottom note of each chord moves: it goes up by half step for each chord! Chromatic motion like this is a great way to add a lot of harmonic interest while creating a chord progression that still makes ...
Similar to approach 4, this one is utilizing some beautiful chord extensions as well as an ascending stepwise bass motion. Bass lines that move by step will always create a flowing, beautiful harmonic foundation for any chord progression. This one doesn’t use a chord tone for each melody note (F is not a chord tone of C/E) but it doesn’t matter bec...
This is a ii-V-I progression with some nice extensions and an altered dominant V chord. Almost all of the advanced approaches are going to use altered dominant chords since that is another component of the sound of jazz! Pay attention to how each of these approaches conforms to the guidelines of harmony from above; each one will follow at least two...
An expansion of the previous approach, this one uses a iii-VI-ii-V-I progression with altered dominants. The iii-VI-ii-V progression is probably the second most common in jazz, behind the ii-V-I. The melody is sometimes a chord tone, sometimes an altered note!
This one is a more advanced version of approach 7. Instead of a iii-VI-ii-V-I progression, this one uses tritone substitutions for all the dominant chords, creating a iii-bIII7-ii-bII7-I progression. Cool! Notice the descending chromatic motion of the bass. When the harmony is this advanced, chromaticism at the bottom helps to solidify the harmony ...
This one is similar to approach 8, but we’ve used the tritone substitution on all the minor chords! This chord progression is bVII-VI-bVI-V-I. There are lots of colors and chromatic motion here! The same principle of chromatic bass motion keeps this harmonization grounded and very hip. Finally, let’s look at approach 10.
If you’re looking for a more contemporary sound, this is the approach for you! This one has been harmonized by looking at the intervals of the melody. G moves down a whole step to F, so we started with FMaj9 and moved down to EbMaj9. Then the melody moves down a half step, and the harmony follows with Dmin9. The last chord is BbMaj9, but this still...
Apr 12, 2023 · When you first sit at a piano, the different shapes and colors can be confusing. Here's our explanation of the different piano chords, what these chords are called, and much more.
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Does Lowdown have a strumming pattern?
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Feb 10, 2014 · Low Down Chords. by The Rolling Stones. 2,365 views, added to favorites 22 times. Author Unregistered. Last edit on Feb 10, 2014. Download Pdf. Chords. D. C. E. A. Strumming. There is no...
