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  1. The Dark Forest’ by Edward Thomas is a beautiful, haunting poem about life, death, and our inability to commune with those on the opposite side. Through the image of the forest, and all that which resides within and around it, Thomas depicts the gulf that separates the living from the dead.

    • Female
    • October 9, 1995
    • Poetry Analyst And Editor
  2. Some writers, like Edgar Allan Poe, were inspired by real-life sorrow, while others, like Conrad Aiken, looked too harrowing images from mythology and history to inspire their darkest works. Below are a few of the best examples of dark poems in the English language.

  3. May 13, 2011 · An analysis of the The Dark Forest poem by Edward Thomas including schema, poetic form, metre, stanzas and plenty more comprehensive statistics.

    • 409
    • 4, 4, 4
    • Iambic tetrameter
    • 75
  4. Feb 10, 2018 · 8. Edward Thomas, ‘The Dark Forest’. Dark is the forest and deep, and overhead Hang stars like seeds of light In vain, though not since they were sown was bred Anything more bright … This poem from the wonderful nature poet Edward Thomas (1878-1917) begins by describing a forest at night, above whose trees the stars shine like ‘seeds of ...

  5. Dark is the forest and deep, and overhead Hang stars like seeds of light In vain, though not since they were sown was bred Anything more bright. And evermore mighty multitudes ride About, nor enter in; Of the other multitudes that dwell inside Never yet was one seen.

  6. The poem focuses on a speaker standing in a dark forest, listening to the beguiling and beautiful song of the nightingale bird. This provokes a deep and meandering meditation by the speaker on time, death, beauty, nature, and human suffering (something the speaker would very much like to escape!).

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  8. The metaphor compares the death of loved ones to the monumental shifts that occur when large and powerful trees fall in the forest. As the poem progresses she moves on to directly speak about “great souls” and how human beings react to loss.

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