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  1. Dec 1, 2022 · The Eternal Daughter. NYT Critic’s Pick. Directed by Joanna Hogg. Drama, Mystery. PG-13. 1h 36m. Find Tickets. When you purchase a ticket for an independently reviewed film through our site, we ...

  2. Dec 2, 2022 · In “The Eternal Daughter,” Hogg is working, again, in a very personal even auto-biographical mode, although the setting has changed, and the mood has changed. Julie, a middle-aged woman ( Tilda Swinton ) travels with her elderly mother (also Tilda Swinton) to a big country estate, a Downton Abbey or Gosford Park-type place, although considering the Gothic creepy setting, “Manderley ...

  3. Dec 2, 2023 Full Review Victoria Luxford City AM The twist may seem inevitable by the time it comes around, but The Eternal Daughter is a skillfully made ghost story which highlights a filmmaker ...

    • (136)
    • Joanna Hogg
    • PG-13
    • Mystery & Thriller, Drama
  4. Nov 29, 2022 · In “The Eternal Daughter” Swinton plays an older version of Julie, the filmmaker at the center of “The Souvenir” played by Swinton’s own daughter Honor Swinton Byrne, as well as an older version of Julie’s mother Rosalind, whom Swinton also played in the earlier films. Late one foggy night, mother and daughter arrive at a nearly vacant hotel, once the grand home of Rosalind’s aunt.

  5. Nov 23, 2023 · There is a twist of sorts, although The Eternal Daughter is hardly designed as a routine tale of the unexpected. It is a story not about spooks, but about sorrow, memory, subtle uncertainties ...

    • Jonathan Romney
  6. Nov 30, 2022 · Now, in “The Eternal Daughter,” Julie returns, as a middle-aged woman (Swinton) who, in chilly late November, takes the elderly widow Rosalind (also Swinton) on a brief vacation in Wales, in a ...

  7. Nov 17, 2023 · The Eternal Daughter opens in darkness and mist, as a cab drives through wintry country lanes to the sound of the creepy, brooding fugue of the “Andante tranquillo” of Bartok’s Music for Strings, Percussion and Celesta. Inside are two women, and Tilda Swinton plays them both: Julie, now a middle-aged film-maker, and her dozing, elderly mother, Rosalind, again.

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