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  1. The Black Square: the Zero of Form. In 1915, Kazimir Malevich took a medium-sized canvas, painted it white around the edges, and filled the middle square with thick black paint. With this apparently simple act, Malevich became the author of the most impactful and terrifying work of art of the time.

  2. Time has not been kind to Kasimir Malevich’s painting, Black Square (fig.1). In 1915 when the work was first displayed the surface of the square was pristine and pure; now the black paint has cracked revealing the white ground like mortar in crazy paving.

  3. Feb 3, 2023 · More than just an artistic masterpiece, “Black Square” emerged as a motif and logo for Malevich, its impact extending beyond his life. During his funeral, Malevich’s coffin bore a black square, and mourners carried flags adorned with the iconic symbol.

  4. Jul 17, 2014 · Kazimir Malevich's Black Square 1915 is the Hour Zero of modern art for many artists, showing how much one work can change the course of art history. But what were Malevich's motivations and where did this iconic painting take him after 1915?

  5. Feb 25, 2022 · What Art Style Is the Black Square (1915) Painting? Kazimir Malevich painted the Black Square (1915) as a leading example that introduced his art theory and style called Suprematism. It was a form of non-representational art that went back to the so-called world of feeling.

    • Alicia du Plessis
    • Kazimir Malevich
    • ( Author And Art History Expert )
    • 1915
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  6. en.wikipedia.org › wiki › Black_SquareBlack Square - Wikipedia

    Black Square (Russian Чёрный квадрат) is a 1915 oil on linen canvas painting by the artist Kazimir Malevich. The first of four painted versions, the original was completed in 1915 and described by the artist as his breakthrough work and the inception for the launch of his Suprematist art movement (1915–1919).

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  8. The Black Square is not just the first painting in a new movement. It’s a totally different kind of art object to what had been seen before. Malevich promoted it as a sign of a new era of art and he saw it as beginning at zero.

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