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  1. The SCENE is in a Street of Seville, and under the Windows of ROSINA at the First Act, and the Remainder of the Piece is in the House of Doctor BARTHOLO. THE BARBER OF SEVILLE. ACT I. SCENE I. Represents a Street in Seville, where all the Windows are secured with Jealousies (or Blinds.)

  2. Sep 24, 2024 · MEET THE ARTISTS CAST OF CHARACTERS The Barber of Seville Music by Gioachino Rossini Libretto by Cesare Sterbini Debuted on February 20, 1816 at the Teatro Argentina in Rome, Italy • Figaro (baritone)– a barber and jack of all trades • Rosina (mezzo-soprano)– a young woman with a large dowry who lives in Bartolo’s house

  3. The Barber of Seville Synopsis (Il barbiere di Siviglia, ossia L'inutile precauzione) ACT I. Outside of Dr. Bartolo’s house, a group of musicians, including the wealthy (and disguised) Count Almaviva, serenade Rosina, a beautiful young maiden kept hidden away inside (Ecco ridente in cielo). When Rosina, the ward of Dr. Bartolo,

  4. THE BASICS. The Barber of Seville (Il barbiere di Siviglia) Premiered on February 20, 1816, at the Teatro Argentina in Rome, Italy Music: Gioachino Rossini (1792-1868) Libretto: Cesare Sterbini (1784-1831) Based on Pierre Beaumarchais’s play Le Barbier de Séville. CHARACTERS.

  5. Mar 3, 2021 · Based on Le Barbier de Séville ou la Précaution inutile (The Barber of Seville, or The Useless Precaution) by Pierre Beaumarchais. More about that here. Download this short Pdf-guide. Print it, fold it, and keep it in your pocket as a help when you’re at the Opera.

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  6. The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.

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  8. WHAT’S BEEN SAID ABOUT The Barber of Seville • Cesare Sterbini’s Barbiere makes an entertaining play even without the music, so skilfully did he adapt the first of Beaumarchais’ stories of Figaro and his master. The characters are pure commedia dell ‘arte, and with larger-than life-definition. - Jean Grundy Fanelli, Opera for Everyone

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