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"Sorry, Right Number" is the ninth episode of the fourth season of Tales from the Darkside, airing on CBS on 22 November 1987. The episode was written by Stephen King, and the teleplay was later included in his collection Nightmares and Dreamscapes. One night, while the children are arguing...
Oct 13, 2013 · It’s the screenplay for an episode of Tales of the Darkside that aired in 1987. Wikipedia entry here. Spoiler-filled synopsis: Katie Wiederman receives an unsettling, incomprehensible phone call from somebody seemingly trying to either plead for help or warn her about something.
Aug 17, 2022 · The first act of ‘‘Sorry, Right Number’’ begins in the Weiderman house. Katie Weiderman, the family’s mother, is on the telephone in the kitchen, talking with her sister Lois. In the living room, the three children are watching the television.
Plot summary. Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, a famous horror novel writer, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch Ghost Kiss, a gory TV adaptation of Bill's earlier novel. Katie receives a second phone call.
- Stephen King
- Science fiction, Drama
- United States
- English
Plot summary. Katie Weiderman is talking to her sister on the phone one night. Her husband, Bill, a famous horror novel writer, is in his study trying to find inspiration for a new novel. Her children are arguing about whether or not to watch Ghost Kiss, a gory TV adaptation of Bill's earlier novel. Katie receives a second phone call.
Sorry, Right Number: Directed by John Harrison. With Deborah Harmon, Arthur Taxier, Rhonda Dotson, Katherine Britton. A woman is troubled by a mysterious phone call and tries desperately to help the person on the other end of the line.
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Nov 22, 1987 · Overview. Late one evening, a woman named Katie (Deborah Harmon)—wife of horror novelist Bill Weiderman (Arthur Taxier)—receives a disturbing phone call from an unknown number. Recognizing the voice on the other end of the line, Katie assumes that one of her female family members might be in trouble—with an unexpected outcome.
