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  1. Exhibition extended until 2 April. The concluding show in Richard Saltoun Gallery's 14-month program dedicated to the writings of Hannah Arendt, The Conquest of Space will present paintings and works on paper by Sylvia PLIMACK MANGOLD (b. 1938) in the UK for the first time and pivotal early works by Elaine REICHEK (b. 1943) from her first solo show at Rina Gallery, New York in 1975.

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  2. Sylvia Plimack Mangold. First shown in Twenty Six Contemporary Women Artists, Floor Corner typifies the precise, meditative paintings for which Sylvia Plimack Mangold first became known. Featuring architectural details including mirrors, windows, and floors, as here, the works have been interpreted as reflections on the domestic sphere. At the ...

  3. On Hannah Arendt 15 Feb - 2 Apr 2022 London The last exhibition in Richard Saltoun Gallery's 14-month series inspired by the political philosopher Hannah Arendt will feature works by Sylvia PLIMACK MANGOLD (b. 1938), Elaine REICHEK (b. 1943), Carey YOUNG (b. 1970).

  4. Children. James Mangold. Andrew Mangold. Parent (s) Ethel and Maurice Plimack. Sylvia Plimack Mangold (born September 18, 1938) is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director / screenwriter James Mangold and musician ...

  5. Jan 1, 2021 · In February and March, the final exhibition, The Conquest of Space, will feature works by Sylvia PLIMACK MANGOLD, Elaine REICHEK, and Carey YOUNG. Brazilian sound artist and music producer Laima LEYTON creates a new sound piece in response to each chapter of Arendt's Between Past and Future , available to experience on the gallery's website as part of Saltoun Online and during live events held ...

  6. Back to Sylvia Plimack Mangold. Solo shows. 2022. The Conquest of Space, Richard Saltoun. 2021. Sylvia Plimack Mangold: The Pin Oak, 1985-2015, Krakow Witkin Gallery ...

  7. May 5, 2023 · Like Plimack Mangold’s studies in lushness, these scenes are eventless—reflecting not on trees so much as on perception itself. (125 Newbury; April 14-June 3.) Published in the print edition ...

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