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Sundays and Cybèle is a 1962 French drama film in Franscope , directed by Serge Bourguignon. Its original French title is Les dimanches de Ville d'Avray (Sundays in Ville d'Avray), referring to the Ville-d'Avray suburb of Paris.
Sundays and Cybèle. In this provocative Academy Award winner from French director Serge Bourguignon, a psychologically damaged war veteran and a neglected child begin a startlingly intimate friendship—one that ultimately ignites the suspicion and anger of his friends and neighbors in suburban Paris. Bourguignon’s film makes thoughtful ...
- Pierre
Sundays and Cybèle: Directed by Serge Bourguignon. With Hardy Krüger, Nicole Courcel, Patricia Gozzi, Daniel Ivernel. Story of a lonely young girl who is befriended by an innocent but emotionally disabled veteran of the French Indochina War.
- (4.8K)
- Drama
- Serge Bourguignon
- 1962-11-21
Oct 1, 2014 · Sundays and Cybèle tells the tragic story of Pierre (Hardy Krüger), a thirty-year-old former pilot in the colonial wars who suffers from amnesia, and his relationship with a twelve-year-old girl known as Françoise but whose real name is Cybèle (Patricia Gozzi).
Sep 30, 2014 · Sundays and Cybèle—Serge Bourguignon’s searing French drama about an unorthodox relationship between a traumatized war veteran and a young girl—was not an easy film to market. Its subject matter is difficult, and the complexity of its characters’ lives and motivations is tough to convey snappily.
Sep 29, 2014 · Bourguignon’s film makes thoughtful, humane drama out of potentially incendiary subject matter, and with the help of the sensitive cinematography of Henri Decaë and a delicate score by Maurice Jarre, Sundays and Cybele becomes a stirring contemplation of an alliance between two troubled souls.
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Sundays and Cybèle posits some thorny ethical dilemmas to viewers, at least those who are willing to grant legitimacy to perceived emotional needs and the human contacts who help to fulfill them even when they fall outside the limits of what’s usually considered safe and proper.
