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Mar 4, 2021 · 1920s: Black Astor Row (Restoration by Roberta Washington) In 1920, The New York Times described “Harlem’s Astor Row for Colored Tenants”, warning of “radical changes” ahead for the once-exclusive enclave. Once exclusively white, Astor Row became a magnet for African-Americans migrating to Harlem.
Spanning nearly 100 years—from 1920s photographs by James VanDerZee to recent works by Kerry James Marshall, Ellen Gallagher, and Collier Schorr— 20/20 provides a critical opportunity to prompt conversations about the necessity of art during times of social and political transformation.
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The Studio Museum opens with a Tom Lloyd solo show in an 8,700-square-foot loft on Fifth Avenue. But not all the festivities go as planned—one visitor breaks a sculpture.
Charles Inniss, the museum’s first director, resigns as the local community continues to decry the museum for being out of touch with what Harlemites want. Edward S. Spriggs is brought on two months later to replace him. A group show organized by artist William T. Williams opens to controversy over its inclusion of Steven Kelsey, a white artist, an...
Spriggs departs. His replacement comes from outside the art world: Courtney Callender, who had worked at the New York City Parks Department and campaigned to keep the museum in Harlem.
Mary Schmidt Campbell becomes the first female director of the Studio Museum. Since then, the museum has been led exclusively by women.
The museum faces a lawsuit over the James VanDerZee archive, with the artist alleging he wasn’t properly compensated when the museum became custodian of it.
The museum moves into its first permanent home, in a building on 125th Street renovated under the direction of J. Max Bond Jr. Five years later, it expands into an adjacent vacant lot.
“Tradition and Conflict: Images of a Turbulent Decade 1963–1973” opens, an exhibition that is considered a key survey of how Black art was inspired or affected by the civil rights movement.
Campbell steps down as director, and Kinshasha Holman Conwill, previously deputy director, takes the top role.
Works from the Studio Museum’s vaunted collection travel to 10 museums across the country in the exhibition “25 Years of African-American Art.”
Lowery Stokes Sims, a Metropolitan Museum of Art curator, becomes director of the Studio Museum after Conwill steps down.
- Alex Greenberger
The Studio Museum in Harlem is an African-art museum at 144 West 125th Street between Adam Clayton Powell Jr. Boulevard and Lenox Avenue in Harlem, Manhattan, New York City. Founded in 1968, the museum collects, preserves and interprets art created by African Americans, members of the African diaspora, [1] and artists from the African continent ...
Artist[20][21]Year Of Residency2009–102011–122014–152013–14Feb 17, 2021 · A new project from the GSD’s African American Design Nexus, the Harlem StoryMap, considers the neighborhood’s many designed spaces created by Black architects and urbanists. The work of these professionals began before Harlem’s famous Renaissance in the 1920s and continues today.
Feb 26, 2021 · The museum’s new five-story structure, designed by Ghanaian British architect Sir David Adjaye, will more than double its exhibition space.
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Be there as we open the new Studio Museum in Harlem. Studio Museum in Harlem is the nexus for artists of African descent locally, nationally, and internationally and for work that has been inspired and influenced by Black culture. It is a site for the dynamic exchange of ideas about art and society.
