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Apr 28, 2024 · As music historian David Fricke notes: “The Doors were more than just a band – they were a cultural force, a symbol of a generation in turmoil. And ‘Strange Days’ is a perfect embodiment of that spirit, capturing the uncertainty and possibility of the time like no other song.”. In the end, the meaning behind “Strange Days” remains ...
Jan 12, 2022 · Morrison croons in the opening of the track: Strange days have found us. Strange days have tracked us down. They’re going to destroy. Our casual joys. We shall go on playing or find a new town ...
- Jacob Uitti
- Senior Writer
Strange Days Lyrics & Meanings: Strange days have found us / Strange days have tracked us down / They're going to destroy / Our casual joys / We shall go on playing / Or find a new town / Yeah! / Strange eyes fill strange rooms / Voices will signal their tired end / The hostess is grinning / Her guests sleep from sinning / Hear me talk of sin ...
Jan 18, 2022 · “Strange days have found us / Strange days have tracked us down / They’re going to destroy / Our casual joys / We shall go on playing or find a new town.” These are the lyrics to the first verse of the The Doors’ hit “Strange Days.” The iconic song was released 55 years ago in 1967 from the band’s sophomore album of the same name.
Jan 3, 2024 · When The Doors released 'Strange Days' in 1967, it was clear that the band wasn't just pushing the boundaries of rock music, but also offering a prescient commentary on the social climate of the era. In the shadow of a cultural revolution, Jim Morrison's esoteric lyrics spoke to a generation caught between apathy and awakening.
The lyrics are about how normal places can still be strange and uneasy. Jim Morrison's vocals were heavily processed to enhance the feel. This song was one of the earliest uses of the Moog synthesizer, which The Doors used to put the effect on Morrison's vocal. It was programmed by Paul Beaver, who worked for the Moog company and was dispatched ...
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Paul A. Rothchild. " Strange Days " is a song by the Doors, released in 1967 as the opening track on the album of the same name. Along with other album tracks, it was composed long before the date it was recorded; a live performance recorded in May 1966 was captured on the 2016 album London Fog 1966. [2] The track is also recognised as one of ...
