major names in this Genre. Also many books and series which are classics you should read. The Complete History of Science Fiction and Fantasy. How did it develop and who were the
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Aug 3, 2017 · Connections between science fiction and human culture. Primary fictional sources in literature, film and drama, theological literature, and criticism. Qualitative. The allure and dread of technology often parallels human metaphysical and theological concerns and concepts.
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Dec 1, 2013 · Science fiction has long been concerned with imagining cities of the future but contemporary ‘posturban’ cities are ‘strange zones’ where the future has already happened. How we live in these spaces is a challenge to accepted ideas about what it means to be human and, indeed, what it means to have a future.
Aug 3, 2017 · This article aimed to uncover the foci, themes, and findings of research literature that utilized science fiction content or concepts to describe and illustrate human culture.
Aug 4, 2022 · In this paper, we foreground New Weird fiction as a progressive literary style, distinct from its problematic roots, with conceptual import to human geography. Through attention to the New Weird’s treatment of difference, dis/orientation and ecological relation, these texts provoke geographers to foster a speculative ethics suited to a ...
Nov 26, 2023 · Through a review of the development history of the British and American definitions of science fiction and related controversies, we find that changes in science fiction's definition are often accompanied by the reorientation and reimagination of its position in society and culture.
Sep 6, 2017 · Science fiction is a cultural response to the revolutions in science and technology during the seventeenth, eighteenth, and nineteenth centuries. These altered the existing methods of industry and production, understandings of the universe and ourselves, and concepts...
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The concept of "estrangement" has been central to sf criticism ever since Darko Suvin defined the genre as creating the effect of "cognitive estrangement". By going back to the theories of Viktor Shklovsky and Bertolt Brecht, I will show how Suvin, in his approach, intermingles formal, fictional, generic, and receptive aspects of estrangement.
