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Stephany Folsom is a screenwriter best known for her work on Toy Story 4 (2019) and Paper Girls. [1] Early life. Folsom was raised in Colorado Springs, Colorado. There, she developed an interest in filmmaking. She told her high school counselor that she wanted to enroll in film school, but was advised instead to study radio.
Jul 1, 2019 · First-time Pixar screenwriter Stephany Folsom tells IndieWire how she made the much-anticipated sequel her own, complete with a few nerve-wracking meetings.
- On Tackling Something New For The First Time
- Flex That Writing Muscle, Bro
- Character First
- Overcoming Adversity as A Female Writer
- Feel Like Giving Up? Write What You Love
Toy Story 4 marks Folsom’s first time writing an animated film (no pressure or anything). Given that she was such a fan of Pixar and the Toy Storyfranchise itself, she was eager to learn how to bridge the gap between writing for live-action and animation. As she’s very much part of the whole five to seven year process of making the film, she’s come...
Practice makes perfect, as we all know. It goes without saying that to be a better writer, you simply must keep writing. Write, write, write. We’ve heard it all before. But Folsom puts it pretty elegantly here, saying, “I kind of liken it to playing an instrument… I played piano as a kid and first, you learn where to put your fingers on the keys an...
In addition to working with Pixar, Folsom has scored meetings and gigs with Lucasfilm and Marvel (Thor: Ragnarok). In such big budgeted and high concept worlds, it may be easy to forget the essentials of what makes a good story — but Folsom maintains the importance of character even when working on the madness of these franchises. “For me, I always...
Working for names like Pixar, Lucasfilm, and Marvel obviously come with the high-profile perks of seeing your name in much bigger lights that one would on a smaller film. But there’s also a downside for Folsom, being a woman. These are very male-dominated worlds in a male-dominated business — she was one of the very few female screenwriters and cre...
A few years back, Folsom made waves when her script, 1969: A Space Odyssey, made the 2013 Black List. It was an alternate history about Stanley Kubrick faking the moon landing. It was a project that combined many of Folsom’s loves: her love of cinematic history, conspiracy theories, science and space — and ironically, writing it was kind of a last ...
Jun 28, 2018 · Jun 28, 2018. My in-depth interview with the screenwriter currently working on Toy Story 4. Stephany Folsom. I’m a big Stanley Kubrick fan and Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is my favorite satire of all time.
Mar 31, 2014 · So when I saw this script make the 2013 Black List — “1969: A Space Odyssey or: How Kubrick Learned to Stop Worrying and Land on the Moon” — I knew then and there I had to interview its writer. That turns out to be Stephany Folsom, and we had an informative and fun one hour plus conversation.
Jul 30, 2014 · Stephany Folsom has had quite the year – and the year isn’t even over yet. Last December her feature spec script, 1969: A Space Odyssey, or How Kubrick Learned to Stop Worrying and Land on the Moon, showed up on both the 2013 Black List and 2013 Hit List. Then in May, she was tapped by…
Apr 6, 2014 · Apr 6, 2014. My in-depth interview with the screenwriter currently working on Toy Story 4. I’m a big Stanley Kubrick fan and Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is my favorite satire of all time.
