Search results
Alfred Charles Stanley Anderson CBE RA (11 May 1884 – 4 March 1966) was a British engraver, etcher and watercolour painter. Anderson was principally known for the series of highly detailed engravings of traditional British crafts that he completed over a twenty-year period beginning in 1933.
Stanley Anderson exhibited at every major gallery in the British Isles and was active until a few months before his death at the age of 82. His work which often depicts pastoral activity such as farmer workers can be seen in many important galleries, but the Ashmolean at Oxford has a complete set of his etchings.
May 24, 2015 · The Prints of Stanley Anderson RA. 25 February - 24 May 2015. Tennant Gallery, Burlington House. A key figure in the revival of line engraving in the 1920s, Stanley Anderson RA (1884–1966) is best known for his series of prints memorialising England’s vanishing rural crafts.
The printmaker and painter, Stanley Anderson, was a major figure in the revival of line engraving between the wars. Though a long career allowed for a diverse range of subjects, his skill was displayed particularly well in a series of prints of farm workers and rural craftsmen.
Alfred Charles Stanley Anderson (11 May 1884 – 4 March 1966) was a British engraver, etcher and watercolour painter. Anderson was principally known for the series of highly detailed engravings of traditional British crafts that he completed over a twenty-year period beginning in 1933.
This exhibition examines the work and world view of the British painter-printmaker Stanley Anderson (1884–1966) through some of the works he produced from the 1910s to the 1950s. Anderson was born in Bristol. For seven years, he trained as a professional engraver in his father’s workshop.
People also ask
Who was Alfred Stanley Anderson?
When did Stanley Anderson die?
Where can I find material about Stanley Anderson RA?
What were Stanley Anderson's views on modernity?
Feb 11, 2016 · For anybody who is interested in rural and urban British life during the first half of the twentieth century, and for those who enjoy exquisite craftsmanship – Stanley Anderson hated the word ‘artist’ – this exhibition is a must-see.
