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Spooked: Directed by Geoff Murphy. With Cliff Curtis, Chris Hobbs, Andrea Kelland, Ian Mune. A thriller loosely based on Ian Wishart's book The Paradise Conspiracy, about the mysterious death of a New Zealander who happened upon international banking records after purchasing a used computer.
- (152)
- Crime, Drama, Mystery
- Geoff Murphy
- 2005-02-03
Oct 31, 2004 · Spooked is a contemporary conspiracy thriller arising from the mysterious death of Kevin Jones, who thought he was just buying second-hand computers, until he looked at the data left on the discs. Was kevin murdered or did he simply get drunk and crash his car?
Spooked - Loosely based on the case of a real life computer dealer who acquired international bank records and later died mysteriously on Auckland Harbour Bridge, Spooked marked Geoff Murphy’s first local movie in 15 years, after time directing in Hollywood.
Spooked is a contemporary conspiracy thriller arising from the mysterious death of Kevin Jones, who thought he was just buying second-hand computers, until he looked at the data left on the discs. Was kevin murdered or did he simply get drunk and crash his car?
- Geoff Murphy
- Ora Digital, Silverscreen Films
Spooked is a contemporary conspiracy thriller arising from the mysterious death of Kevin Jones, who thought he was just buying second-hand computers, until he looked at the data left on the discs. Was kevin murdered or did he simply get drunk and crash his car?
Spooked is a 2004 New Zealand film directed by Geoff Murphy and loosely based on Ian Wishart's novel The Paradise Conspiracy, which itself is based on actual events in New Zealand. Partly funded by the New Zealand Film Commission, Spooked had its first screenings in the market at the 2004 Cannes Film Festival where it was first reviewed. [1]
Spooked is a 2004 New Zealand film directed by Geoff Murphy and loosely based on Ian Wishart's novel The Paradise Conspiracy, which itself is based on actual events in New Zealand. Partly funded by the New Zealand Film Commission, Spooked had its first screenings in the market at the 2004 Cannes Film Festival where it was first reviewed.
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