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2003 · Film. Harry Sanborn is an aged music industry exec with a fondness for younger women like Marin, his latest trophy girlfriend. Things get a little awkward when Harry suffers a heart attack at the home of Marin's mother, Erica. Left in the care of Erica and his doctor, a love triangle starts to take shape. Written by. Nancy Meyers.
Aug 7, 2010 · Abstract. Nancy Meyers's Something's Gotta Give (2003) may have succeeded both critically and financially because it imitates the central conventions, characterization, and narrative structure of classical screwball comedies.
- Kelli Marshall
- 2009
The first partner (Harry), Karnick summarizes, repre-sents one half of the ideal couple and is involved in an “unsuitable relationship.”. The narrative’s initial partner (Marin) is the first partner’s unbefitting lover. The second partner (Erica) represents the other half of the ideal couple.
Dec 12, 2003 · A movie like this depends crucially on its stars. To complain that Nicholson is playing “himself” — or that Keaton is also playing a character very much like her public persona — is missing the point. Part of the appeal depends on the movie’s teasing confusion of reality and fiction. Harry defends himself by telling Erica, “I have ...
Something's Gotta Give is a 2003 American romantic comedy drama film written, produced, and directed by Nancy Meyers. It stars Jack Nicholson and Diane Keaton as professionals who find love for each other in later life, despite being complete opposites. Keanu Reeves and Amanda Peet co-star, with Frances McDormand, Paul Michael Glaser, Jon ...
Something's Gotta Give is a 2003 romantic comedy movie written and directed by Nancy Meyers, and starring Jack Nicholson and Diane Keaton. It was distributed by Columbia Pictures in North America and Warner Bros. Pictures internationally. Nicholson plays Harry Sanborn, an aged music industry exec with a fondness for younger women like Marin ...
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Aug 5, 2007 · Written and directed by Nancy Meyers. I don’t know why I can’t stop watching romantic comedy films. It’s some sort of strange weakness. Perhaps it’s my lack of understanding of romantic impulses, the inventiveness of the ideas, the magic of the moment (even though I realise that it is not real – it is a lie about the thrill of the beginning of a relationship, the connection that ...
