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Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.
Sijo (Korean pronunciation: [ɕi.dʑo]) is a Korean traditional poetic form that emerged during the Goryeo dynasty, flourished during the Joseon dynasty, and is still written today. [1] Bucolic, metaphysical, and cosmological themes are often explored. The three lines average 14–16 syllables, for a total of 42–48: theme (3, 4,4,4 ...
Sijo: Korea’s Poetry Form provides a comprehensive overview of sijo—a three-line Korean vernacular poetry form that was originally sung—and how to teach this style of poetry writing.
Pronounced SHEE‐jo. The sijo is a traditional three‐line Korean poetic form. Organized both technically and thematically by line and syllable count. Themes of Korean sijo masters. cosmological or metaphysical, description of nature. love songs, humor, political statements, instructional.
The sijo poet tries to convey his own experiences, like friendship, love, wine, loyalty to the king, transience and old age. The sijo includes historical songs, political songs, drinking songs, moral songs, songs of loyalty, love songs, songs of solitude, music, mortality, nature, retirement and rustic life. Many of these songs are anonymous ...
The sixteenth century kisaeng 2 woman poet Hwang Chini is credited with a number of the best known sijo poems, several displaying her witty ability to stand up to the Confucian mores of Chosŏn Korea. One of my favorites is her “Alas, what have I done?”
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Generally speaking, the Sijo is a short polished poem ? more personal, specific, and local than the proverb ? ending with a graceful, profound, and witty turn of thought. But the soul of the Sijo is not wit, but sensibility. In Korea, the Sijo was an art for the many, and every educated man and woman tried and used this form for almost any purpose.
