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Side Effects. (2013 film) Side Effects is a 2013 American psychological thriller film directed by Steven Soderbergh and written by Scott Z. Burns. It stars Rooney Mara as a woman who is prescribed experimental drugs by psychiatrists (Jude Law and Catherine Zeta-Jones) after her husband (Channing Tatum) is released from prison.
Side Effects: Directed by Steven Soderbergh. With Rooney Mara, Jude Law, Channing Tatum, Catherine Zeta-Jones. A young woman's world unravels when a drug prescribed by her psychiatrist has unexpected side effects.
- (198K)
- Crime, Drama, Mystery
- Steven Soderbergh
- 2013-02-08
In New York, insider trader Martin Taylor is released after four years in prison and his mother and his wife Emily welcome him. Unexpectedly Emily is depressed and tries to commit suicide, hitting her car against the garage wall. Emily goes to the hospital and psychiatrist Dr. Jonathan Banks treats her and she decides to be his client.
Feb 8, 2013 · Side Effects can be described as nothing short of artful perfection. Much like the effects of a poisonous fog, clouding the unfocused thoughts and blurry morals of ethical people, Side Effects is a remedy for self-awareness and clarity. Unorthodox in nature, and possibly being labelled as the first “pharma-noir” film of its kind, Side ...
- (40)
- Steven Soderbergh
- R
- Rooney Mara
Jan 14, 2021 Full Review J. Hoberman ARTINFO.com Side Effects showcases much of what the just 50-year-old filmmaker does best. Feb 22, 2019 Full Review JD Duran InSession Film Mara and Law are ...
- (227)
- Steven Soderbergh
- R
- Jude Law
Feb 6, 2013 · This is your insanity on drugs…. Crime. 106 minutes ‧ R ‧ 2013. Roger Ebert. February 6, 2013. 3 min read. The music tells us what kind of movie “Side Effects” is going to be. It coils beneath what seems like a realistic plot and whispers that something haunted and possessed is going on. Imagine music for a sorcery-related plot and ...
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Feb 6, 2013 · "Side Effects," the latest work from the seemingly inexhaustible Steven Soderbergh, starts off telling one story only to abruptly shift gears in order to tell a completely different one. The trouble is that the first story is by far the more interesting while the second just becomes more implausible with each passing scene. The result is a film that is watchable enough but never quite lives up ...