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  1. This Expository Dictionary seeks to present about 500 significant terms of the Old Testament for lay readers who are not familiar with Hebrew. It describes the frequency, usage, and meaning of these terms as fully as possible. No source has been ignored in seeking to bring the latest Hebrew scholarship to the student who seeks it. It is hoped that

  2. dictionary is designed as a companion, and noting the passages to which the same number corresponding to that of any given Hebrew word is attached in the marginal column, the reader, whether acquainted with the original language or not, will obtain a

    • 2MB
    • 1570
    • DEATH'S SHACK - NIGHT
    • RACHEL
    • BEDROOM - DAY
    • RACHEL
    • RACHEL
    • RACHEL
    • - DAY
    • PLAYROOM - DAY
    • 49 INT. CLINIC PLAYROOM - DAY
    • LOOMIS
    • RACHEL
    • RACHEL
    • INT. RACHEL'S KITCHEN - DAY
    • - DAY
    • - RACHEL
    • STREET - DAY
    • HALLWAY
    • TINA
    • C'mon.
    • NURSE
    • 90 INT. MYERS HOUSE - DAY
    • 91 INT. MYERS PARLOR - DAY
    • 92 INT. MYERS UPSTAIRS HALL - MOVING WITH LOOMIS - DAY
    • BILLY
    • 128 EXT. LIQUOR STORE - THE AD - NIGHT
    • LOOMIS
    • I/E. CAMARO - LIQUOR STORE - NIGHT
    • STORE - NIGHT
    • SHAPE'S POV
    • TINA
    • SHAPE'S POV
    • TINA
    • CONTINUED:
    • 168 INT. BARN STORE ROOM - SHAPES POV - NIGHT
    • TINA

    The place is arranged like a mortuary. Candles adorn the black walls. There is a larae cross with a black cloaked fiaure perched on it. A pulpit sits to one side. on the podium sits a musty copy of "The Egyptian Book of the Dead." At center of the "scene" is a skeleton lying in a casket. DR. DEATH, a thin gaunt figure with thick matted hair, stands...

    Hey there funnyface. .. JAMIE "laughs" -- with no sound points to something on RACHEL'S face . RACHEL doesn't understand that her mascara's smudged. JAMIE wipes under her own eye. RACHEL follows her signal, and wipes away the mascara. Suddenly, there's a sharp SOUND against the glass. A LARGE BLACK DOBERMAN lunges for the window. Behind the doberma...

    Rock 'n roll BLARES. RACHEL shimmies out of her skirt. left in a skirt length v-neck. She is She catches sight of herself in the mirror. It buoys her spirits. Suddenly -- something out the window catches her eye. She moves closer, looks. RACHEL'S POV - A sheet on a clothesline silhouettes an eerie shoulder and head. The breeze dies. The sheet falls...

    - waits to see it again. RACHEL'S POV - The breeze blows the sheet back again. Was there anything there?

    Get a grip on yourself. Picks it up. BREATHING. RACHEL Jamie?

    I knew it was you. Guess who's coming to the pageant tonight. Excited kisses. RACHEL That's right, I decided not to go after all. Happy? Excited kisses. RACHEL Okay, then, I'll see you later. I love you. Two kisses. Goes Nothing. .. to the phone .

    The POV moves door. back and around the house towards the kitchen INT. RACHEL'S KITCHEN - DAY

    JAMIE is drawing sharp, jagged li"nes across the mural ... A HAND lays onto her shoulder. She jumps, turns. It's BILLY. He stands surrounded by a ring of children, who have stopped drawing and are just staring at her.'

    LOOMIS stands at the phone in the day room ... JAMIE terrified beside him ... BILLY stands beside her. •

    I know it sounds odd ... is everything all right with Max?

    Max is fine. He's been barking at a cat all morning.

    All right, all right. Hold on. I have to go downstairs. lets the phone drop ... starts into corridor .

    RACHEL pushing through the swinging kitchen door. lodging open behind her . INT. CLINIC PLAYROOM - DAY

    It's shoulder is perfectly still as it watches. OUT THE WINDOWS

    wrapped in a towel, darts by, SCREAM rises in her throat . headed down the driveway. A EXT.

    RACHEL runs across the street. An ELDERLY NEIGHBOR looks up from his gardening. He appears suddenly quite helpful.

    as TINA is getting the idea that RACHEL left. looking a little disappointed. She slows,

    Guess she couldn't take it after all. She passes JAMIE'S room, smiles and pauses. She starts in. She crosses toward the bed, bounces down on it. INT.

    SAM shakes her head. TINA C'mon, once a cheerleader always a cheerleader. Just pretend Spitz is in the stands-- SAM glares. SAM Just for that I'm gonna do a triple. PAST SHAPE - LOOKING ON FROM BEHIND A TREE SAM is ten yards from it. She could finish right by the willow! SAM takes a couple of steps -- does one, tumbles down on three. then another ...

    There you are. We've been all over for you! looking JAMIE cringes, still in the cabinet. gently. The NURSE reaches fer her

    Only thin shafts of sunlight penetrate the thick dusty air.

    LOOMIS enters the parlor where it all began. where the SHAPE'S sister sat. There's no couch

    He pokes his head into the sister's room. It's dusky, empty. Like the rest of the house. •

    All n-n-n-nighter. She shakes her head. FLASHCUT TO:

    The BLONDE'S smile looks seductive and evil somehow. FLASHCUT TO:

    A big woman working at the store?! JAMIE shakes her head.

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

    Why am I chasing you? (Calling out) Sam! answer. There's a SCUFFLING I hate cats. noise at the rear of the barn. • TINA C'mon, you guys. not funny! Spitz!

  3. Jul 30, 2018 · The Masoretic Text is the authoritative Hebrew and Aramaic text of the Tanakh for Karaite and Rabbinic Judaism. It was primarily copied, edited and distributed by a group of Jews known as the Masoretes between the 7th and 10th centuries CE.

  4. Shem Bitterman. Shem Bitterman is an alumnus of Julliard, where he studied acting, and of the University of Iowa where he earned an MFA in Dramatic Writing in 1985. Recent plays include: A Death in Colombia (Katselas Theatre Company, LA, 2011), Influence (Katselas, 2010; Best Play, Best Production, Best Ensemble nominations, LA Weekly Awards ...

  5. Mar 24, 2016 · Abarim Publications' ever expanding online Theological Dictionary of the Old Testament comprises 587 articles that discuss the meaning and relationships of thousands of Hebrew words. Our dictionary is not organized according to alphabet but rather according to similarity of form.

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  7. The Meanings of Shema. Va’etchanan • 5770. “Hear, O Israel, the Lord is our God, the Lord is one.” These words are the supreme testimony of Jewish faith. Each word is worthy of careful study, but it is the first – the verb Shema – that deserves special attention.

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