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  1. Oct 20, 2023. TOP CRITIC. She Came to Me chugs for 102 minutes, but Rebecca Miller’s rom-com strains to pick up steam. Oct 6, 2023. TOP CRITIC. This strands the wonderful, whimsical Tomei ...

    • (67)
    • Rebecca Miller
    • R
    • Anne Hathaway
  2. Oct 2, 2023 · This is the story of a composer who is creatively reinvigorated after a romantic encounter with an eccentric tug boat captain, and if that's all it was it mi...

    • 10 min
    • 721
    • Feelin' Film
  3. Oct 6, 2023 · 4 min read. Writer/director Rebecca Miller somehow manages to make heightened characters feel authentic in “She Came to Me,” continuing to show her increasing comfort with warmth and humor. The set-up could work as farce or tragedy, but improbably, she keeps it lightly balanced between those extremes. “She Came to Me” is beautifully ...

  4. www.filmreviewdaily.com › new-reviews › she-came-to-meShe Came to Me - FILM REVIEW

    Dec 4, 2023 · On one level, She Came to Me is a farce, but it is a believable one, and a very funny one at that. It is also ineffably romantic and as unpredictable as the human beings it documents. In Brooklyn, where much of the action takes place, your unknown neighbour could be your saviour, if only you knew them. Rebecca Miller specialises in films about ...

    • James Cameron-Wilson
  5. Oct 6, 2023 · A chance liaison with Katrina (Marisa Tomei), a tugboat captain from Louisiana addicted to romance, inspires him to write an opera about her as a sea witch who seduces men and cannibalizes them. Meanwhile, Patricia’s son Julian (Evan Ellison) is head over heels in love with Tereza (Harlow Jane), the daughter of their new cleaning lady ...

  6. Oct 6, 2023 · This is dicey material for a screwball comedy, even one with dark undertones, and despite the best efforts of the ensemble, She Came to Me drifts further and further away from anything approaching reality or relatability. Nearly every major character in this film is exhausting to be around and/or thinly drawn. Read More.

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  8. Feb 16, 2023 · The film’s gentle audacity is that it dares to posit mental illness as the new normal. We’re invited to laugh at what we’re seeing, yet Miller works in such a heartfelt and unassuming way ...

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